The CSI Effect: Kate Bendelow talks about forensics and how you can join the next Crime Fiction Masterclass

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Today Kate Bendelow, who is a servicing CSI and teaches the sections on forensics and pathology in the hugely popular Crime Fiction Masterclass, is taking the reins here at the CTG blog to talk about the CSI effect…

“As a serving crime scene investigator of 16 years, I have experienced a lot of issues brought on by the CSI effect. When I first started with the police I was employed as a SOCO (scenes of crime officer) and still refer to myself as such. The unfortunate introduction of ‘that’ awful American programme, led instrumentally to us being rebranded as CSIs as this became the acronym the public began to recognise. As a result, I have been asked at scenes why I am using the wrong torch, (it wasn’t like the ones the actors use on the telly) and why I wasn’t considering searching for traces of fibre at a burglary scene (useless without a suspect’s clothing to compare to and the cost implication of comparison would not be in the public’s interest). Whist frustrating enough in the day-to-day, its worrying that such misconceptions may influence a jury.

By providing writers of page and screen with advice on procedure and highlighting the most popular misconceptions, it gives them the opportunity to write with accuracy and authenticity. In turn, I hope this addresses the misconceptions brought on by the CSI effect and stops people like me throwing things at the television when I see things like detectives trampling through a crimes scene without so much as a pair of nitrile gloves on. I also like sharing anecdotes and talking about office culture to give people an insight into what my job is really like. From the tedious and mundane to the shocking, disturbing and downright hilarious.”

Want to learn more? Here’s how…

The acclaimed Crime Fiction Masterclass is coming to Cambridge! Whether you are a crime writer or just a fan, this is for you.

After a number of successful stints for The Guardian, as well as events in Manchester, Brighton, Swanwick Writers’ Summer School, Morecambe & Vice and the Harrogate International Crime Fiction Festival, four experts in their fields bring their unrivalled knowledge and experience to Cambridge.

Featuring bestselling author and tutor Erin Kelly, ex-senior detective, bestselling author and adviser to Peter James, Graham Bartlett, serving CSI and author of The Real CSI, Kate Bendelow, and bestselling author and practising criminal lawyer Neil White, the day-long masterclass will give you the inside track on how murders are really solved to vastly improve your crime writing.

The masterclass will inform, entertain and inspire you. Book direct at https://crimefictionmasterclasscambridge.eventbrite.co.uk

 

GIRLS ON TOP: SEX IN CRIME FICTION (PART 1) with STEPH BROADRIBB & SJI HOLLIDAY #GirlsOnTop

 

Today it’s time for something a little different. Susi (SJI) Holliday and me, in conjunction with CrimeTime, have been thinking about sex in crime fiction. You can read our thoughts in a few places – the first half of our conversation here on the CTG blog, the second half over on Susi’s blog HERE, and the full article over on the CrimeTime website HERE

Once you’ve had a read, we’d love to know your thoughts – do you like a sprinkling of sex with your crime? And, if you do, what’s the most memorable sex scene in a crime thriller for you? Tweet us at @crimethrillgirl and @SJIHolliday using hashtag #GirlsOnTop to let us know.

[STEPH] Let’s talk about sex. Sex in crime fiction, specifically. Okay, so I’ll go first – I’m not embarrassed – there’s a couple of sex scenes in my debut novel DEEP DOWN DEAD. One is more of a cut away as the action happens, but the other one, towards the end of the book, is very much the action as it happens; my protagonist Lori Anderson riding a male character cowgirl style. I put it in because the scene felt right for the story and (I hope) conveys something about the characters, adding additional conflict and raising the emotional stakes of the decisions they’re about to make and the (negative) consequences they could have for their relationship. That’s a whole lot of subtext to put on a sex scene, but that’s my rationale.

Back when I was starting to write my novel, I was told that sex and crime fiction don’t mix, but that doesn’t seem quite right to me. I can think of memorable sex scenes in the crime thriller genre like Lee Child’s The Affair – Jack Reacher has sex as a train thunders along the tracks – and that chilling sex scene in Gone Girl between Amy and Desi – the book, and the slightly more bloody film version! But, now I think about it, I can’t think of many detective stories that have sex scenes playing out in full in them unless the sex itself is the crime to be solved. Surely there must be more and my memory is just playing tricks on me? To help, I’ve enlisted crime writer S.J.I. Holliday – author of the Banktoun series – to answer the question, do sex and detective fiction mix?

[SUSI] I really don’t see why not. When you ask people about this, you get very mixed responses. Readers (in general) are absolutely fine with serial killers, blood, gore, death and destruction. But throw a blow job in there and they’re skimming the pages faster than a quickie in the stationery cupboard.

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The Slice Girls [L-R]: Alexandra Sokoloff, Steph Broadribb, AK Benedict, Louise Voss, Susi Holliday, Harley Jane Kozak

Personally, I love a bit of sex. Slotted in at the right time, it can help add to the tension of your story, especially if the characters are having sex with people they shouldn’t. In all three of my books, there is a hint of sex – an encounter reminiscent of 9½ Weeks on a kitchen table in BLACK WOOD, where various food items are strewn around the kitchen… In WILLOW WALK, there’s a first-timer’s sex scene down by the river which I thought was quite touching (so to speak) and entirely relevant to the plot. There’s actually less sex in THE DAMSELFLY than in the other two. A thwarted BJ and an illicit scene in a lock-up that’s kept mainly off the page. It totally depends on the story. It definitely shouldn’t be shoehorned in if it doesn’t advance the plot.

[STEPH] Seems like Susi and me are on the same page about sex-on-the-page, but what about other crime writers, what do they think? We asked a few to find out.

Neil White – From the Shadows (Bonnier Zaffre) – said, ‘Never written a sex scene. Too buttoned up. My mum will read it’ and Mason Cross – The Time To Kill (Orion) – said, ‘I’ve only included PG13 sex scenes so far, although I may need to change that for plot reasons in the new one. But Jeez, my dad reads these!’ So it could be the fear of family members reading intimate scenes is in the forefront of some writers’s minds (and limits them going all the way) but that’s not all. Chris Ewan – Long Time Lost (Faber) – said, ‘I almost wrote one yesterday and then … just cut away again. Performance anxiety.’

It also depends on the character. James Oswald – Written In Bones (Penguin) – said, ‘I don’t put much sex in my books. Tony McLean is incredibly repressed anyway, so there’s that too … on the other hand there’s auto-erotic asphyxiation and death by priapism in my latest, so maybe I do write sex after all.’

Andy Martin – Reacher Said Nothing (Transworld) – said, ‘Sad to say there are few explicit sex scenes of note in Reacher Said Nothing. I only looked over Lee Child’s shoulder while he was writing Make Me. I think there is the occasional manly handshake. But Lee – as straight as a die – had some wry remarks to make on the subject. “Never sleep with someone you know,” still resonates in my mind. And more recently he said that the most erotic experience he had ever had was a brief encounter on a train. They shared a moment but had no actual language in common. I think I may have been influenced by Childean minimalism, that “zero degree” of writing recommended by Roland Barthes. I was at a Norman Mailer writers colony in Wyoming recently when a brilliant Indian writer devised an elaborate sex scene about a dozen pages long. I wrote one, rather shorter, that went like this: “We had sex.” It’s not exactly lyrical or spiritual but it gets the job done.’

It seems, from the guys we spoke to, that male crime thriller writers generally prefer not to write on-the-page sex and to cut away before the act takes place. Mark Edwards – The Devil’s Work (Thomas & Mercer) – bucks this trend, he wants more sex in crime fiction, and said, ‘we Brits are notoriously squeamish when it comes to the squelchy bits. Wouldn’t it be nice if more of our great detectives were as skillful in bed as they are at solving crimes? Don’t you think there should be more people handcuffed to beds in thrillers because they like being handcuffed to beds?’

To find out what the female crime writers thought, why Susi hates ‘panties’ and what the trick to writing a good sex scene is, hop over to Susi’s blog HERE then come find us on Twitter @crimethrillgirl and @SJIHolliday and tell us your thoughts on sex in crime fiction using hashtag #GirlsOnTop

And check out the article in full on Barry Forshaw’s CrimeTime at www.crimetime.co.uk  and check out his Rough Guide to Crime Fiction here

Buy DEEP DOWN DEAD by Steph Broadribb here

Buy THE DAMSELFLY by SJI Holliday here

And you can buy books by our contributing authors by clicking the book titles below:

Neil WhiteFrom the Shadows (Bonnier Zaffre)

Mason CrossThe Time To Kill (Orion)

Chris EwanLong Time Lost (Faber)

James OswaldWritten In Bones (Penguin)

Andy MartinReacher Said Nothing (Transworld)

Mark EdwardsThe Devil’s Work (Thomas & Mercer)

 

More about Steph and Susi:

Steph Broadribb is an alumni of the MA Creative Writing at City University London and trained as a bounty hunter in California. Her debut novel DEEP DOWN DEAD is out now. Find out more at www.crimethrillergirl.com right here!

S.J.I. (Susi) Holliday grew up near Edinburgh and now lives in London. She works as a statistician in the pharmaceutical industry and writes books set in a creepy and claustrophobic small town in Scotland where the crime rate is apparently higher than in New York. BLACK WOOD, WILLOW WALK and THE DAMSELFLY are a mix of psychological thriller and detective fiction, featuring the terminally unlucky in love, Sergeant Davie Gray. You can find out more at www.sjiholliday.com

 

CTG REVIEWS: LOST IN NASHVILLE by NEIL WHITE

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Now, as you know I’m a big country music fan. And today I’m super excited to be reviewing a book that’s more country than crime … LOST IN NASHVILLE by Neil White.

What the blurb says: “James Gray is a lawyer and his life is a success. Or, at least he thinks it is, but it has something missing: a bond with his father, Bruce. Bruce Gray is old, tired and estranged from his family. He spends his time drinking and drifting in the small seaside town in England that James once called home. James decides to take Bruce on a road trip, to try to connect with his father through the one thing that has always united them: a love for Johnny Cash and his music. Together, they travel through Johnny Cash’s life; where he grew up, the places he sang about – a journey of discovery about Johnny, the South, and each other.”

Readers who are fond of fast-paced, gritty crime ficton will be no stranger to crime writer Neil White’s best-selling crime novels. He’s known for great characters and twisty-turny action packed stories with a gritty authenticity, but there’s something else dear to his heart – and that’s country music.

And his love and knowledge of country, especially the work and life of Johnny Cash, come through loud and clear in his latest, and first non-crime, book LOST IN NASHVILLE.

The story is one hell of a read – part road trip, part exploration of Johnny Cash’s life – the man and the music – and part a journey of self-discovery for the two main characters, James Gray and his father, Bruce.

It’s a road trip where the journey is measured in far more than the miles covered. Where life choices – the good and the bad – are examined. And relationships are re-discovered and re-formed.

As a country fan I found the study of Johnny Cash’s life, the descriptions of the places visited by the characters and the history hidden within them really fascinating. That, partnered with an emotive story of fractured relationships, regret and redemption as James and Bruce try to connect as father and son, as adults and as flawed human beings, makes this an unputdownable read.

As heart-breaking and heart-warming as the very best country music – LOST IN NASHVILLE will have you laugh, cry and sing along!

 

LOST IN NASHVILLE is out today! Buy it from Amazon here

To find out more about NEIL WHITE hop on over to his website here

And to read more about the ‘making of’ LOST IN NASHVILLE be sure to check out this blog post by Neil http://www.neilwhite.net/single-post/2016/07/18/Ive-got-more-than-a-life-of-crime

CTG’s TOP READS 2015: CRIME

It’s that time of year again when everyone starts issuing their best books of the year lists, and I’m going to add my two-pennyworth through two ‘top reads’ lists – one for crime novels and one for thrillers.

Today is crime day, and I’ve picked my favourite books from the many fantastic crime novels I’ve read over the course of the year. It’s been hard, but I’ve managed to whittle the list down to my ten favourites.

So here they are, told in no particular order – quite frankly, it’s been difficult enough to get to ten, let alone rank them!

 

THE SILENT ROOM by Mari Hannah

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“One Fugitive. A deadly conspiracy. No rules. A security van sets off for Durham prison, a disgraced Special Branch officer in the back. It never arrives. En route it is hijacked by armed men, the prisoner sprung. Suspended from duty on suspicion of aiding and abetting the audacious escape of his former boss, Detective Sergeant Matthew Ryan is locked out of the manhunt. Desperate to preserve his career and prove his innocence, he backs off. But when the official investigation falls apart, under surveillance and with his life in danger, Ryan goes dark, enlisting others in his quest to discover the truth. When the trail leads to the suspicious death of a Norwegian national, Ryan uncovers an international conspiracy that has claimed the lives of many.”

This standalone crime novel from Mari Hannah has a great cast of characters and I was quickly drawn into their world through the narrative. DS Matthew Ryan is a highly compelling character – he’s determined, driven and, as events take a tragic twist, uses his moment of vulnerability and personal grief as fuel to continue his investigation. The combination of Ryan and O’Neil (from Professional Standards), both looking for answers but coming from different sides of the investigative coin, makes for a great dynamic and the scenes they share have a real zing of electricity.

Gritty, authentic and utterly engrossing, The Silent Room is a real seat-of-your-pants read from the dramatic opening through to the explosive ending.

To find out more about Mari Hannah and her books hop over to her website here and follow her on Twitter @mariwriter

 

 

THE DOMINO KILLER by Neil White

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“When a man is found beaten to death in a local Manchester park, Detective Constable Sam Parker is one of the investigating officers. Sam swiftly identifies the victim, but what at first looks like an open-and-shut case quickly starts to unravel when he realises that the victim’s fingerprints were found on a knife at another crime scene, a month earlier. Meanwhile, Sam’s brother, Joe – a criminal defence lawyer in the city – comes face to face with a man whose very presence sends shockwaves through his life. Joe must confront the demons of his past as he struggles to come to terms with the darkness that this man represents. Before long, Joe and Sam are in way over their heads, both sucked into a terrifying game of cat-and-mouse that threatens to change their lives for ever …”

THE DOMINO KILLER is the third instalment of Neil White’s Parker brothers series and it fully delivers on pulse-pounding tension, twists, and page-turning action with the perfect balance between procedural detail and high intensity action. There’s a real immediacy to the writing and a chilling sense of jeopardy right from the outset that carries all the way through the book to the show-stopping finale. As the story develops, and the brothers’ cases become increasingly intertwined, the tension rises ever higher – making this one of those books that has you reading well into the early hours, desperate for sleep but unable to resist reading just one more chapter.

But this book isn’t just about the action. There’s a real emotion kick too, delivered as the brothers get closer to identifying the man who was responsible for their sister’s murder back when they were teenagers. As the stakes ramp up, they are forced to decide just how far they’re willing to go in order to get justice – putting their careers, their friendships, their families, and their lives on the line. Utterly authentic and captivatingly compelling, this story grabs you by the throat and keeps you pinned right from the first page to the last.

To find out more about Neil White check out his website at www.neilwhite.net and follow him on Twitter @neilwhite1965

 

HEARTBREAKER by Tania Carver

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“After years of abuse, Gemma Adderley has finally found the courage to leave her violent husband. She has taken one debilitating beating too many, endured one esteem-destroying insult too much. Taking her seven-year-old daughter Carly, she leaves the house, determined to salvage what she can of her life. She phones Safe Harbour, a women’s refuge, and they tell her which street corner to wait on and what the car that will pick her up will look like. They tell her the word the driver will use so she know it’s safe to get in. And that’s the last they hear from her. Gemma Adderley’s daughter Carly is found wandering the city streets on her own the next day. Her mother’s mutilated corpse turns up by the canal several weeks later. Her heart has been removed. Detective Inspector Phil Brennan takes on the case, and his wife, psychologist Marina Esposito, is brought in to try and help unlock Carly’s memories of what happened that day. The race is on to solve the case before the Heartbreaker strikes again …”

HEARTBREAKER is the seventh book in the Brennan & Esposito series by Tania Carver. As you’d expect it has a fabulously twisty turny plot, a disturbing set of crimes at its core, and a tough emotional struggle for the two lead characters that threatens to destroy both their careers and their life together. What I found especially chilling in this book is the way the killer selects their victims – targeting vulnerable women who have made the decision to seek refuge. Somehow the killer is gaining access to confidential information in real time, and until they are caught every woman seeking sanctuary is a potential victim. Through the storyline, the book looks at domestic violence through the eyes of the perpetrators, the victims, and those working to help the victims, and it doesn’t hold back from showing a violent and brutal truth.

Gritty and compelling HEARTBREAKER is a tense and suspenseful page-turner of a read.

You can find out more about Tania Carver (aka crime writer Martyn Waites’ alter ego) over on www.martynwaites.com and follow Martyn on Twitter @MartynWaites

 

THE DEFENCE by Steve Cavanagh

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“Eddie Flynn used to be a con artist. Then he became a lawyer. Turned out the two weren’t that different. It’s been over a year since Eddie Flynn vowed never to set foot in a courtroom again. But now he doesn’t have a choice. Olek Volchek, the infamous head of the Russian mafia in New York, has strapped a bomb to Eddie’s back and kidnapped his ten-year-old daughter, Amy. Eddie only has forty-eight hours to defend Volchek in an impossible murder trial – and win – if he wants to save his daughter. Under the scrutiny of the media and the FBI, Eddie must use his razor-sharp wit and every con-artist trick in the book to defend his ‘client’ and ensure Amy’s safety. With the timer on his back ticking away, can Eddie convince the jury of the impossible? Lose this case and he loses everything.”

THE DEFENCE is a fabulous legal thriller. Eddie Flynn – con artist turned lawyer – is haunted by the last case he took to trial. He’s turned his back on the legal profession, taken up drinking and become estranged from his wife and child. Things seem pretty bad, but as the reader discovers from the very start of The Defence, things are about to get much, much worse for Eddie Flynn.

With his daughter abducted, and a bomb strapped to his own body, Eddie is forced to represent Olek Volchek – a man he has no doubt is guilty of murder. In order to buy enough time to figure a way out of the terrifying situation he’s in, Eddie has to draw on all his skills – both legal and criminal – and his friends on both sides of the law, as he gambles against increasingly higher risks in his attempt to get his daughter safe. Smart, courageous and driven by the need to protect his young daughter, Eddie makes for a dynamic character – and someone you can really root for. This rapid-paced, page turner of a legal thriller has bucket-loads of action and piles of sky-soaring tension.

To find out more about Steve Cavanagh hop over to his website at www.stevecavanaghbooks.com and follow him on Twitter @SSCav

 

BLACK WOOD by SJI Holliday

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“Something happened to Claire and Jo in Black Wood: something that left Claire paralysed and Jo with deep mental scars. But with Claire suffering memory loss and no evidence to be found, nobody believes Jo’s story.

Twenty-three years later, a familiar face walks into the bookshop where Jo works, dredging up painful memories and rekindling her desire for vengeance. And at the same time, Sergeant Davie Gray is investigating a balaclava-clad man who is attacking women on a disused railway, shocking the sleepy village of Banktoun.

But what is the connection between Jo’s visitor and the masked man? To catch the assailant, and to give Jo her long-awaited justice, Gray must unravel a tangled web of past secrets, broken friendship and tainted love. But can he crack the case before Jo finds herself with blood on her hands?”

Banktoun might at first appear to be a small, quaint village with a low crime rate that leaves Sergeant Davie Gray wishing for a bit more police work, but scratch the surface and the secrets simmering just below the surface soon start to threaten the uneasy peace. When a spate of attacks by a balaclava wearing man jolt the villagers from their usual calm, tensions start to rise and after a visitor from the past makes an appearance at the local bookstore where Jo works it’s not long before she begins to unravel. With the flood of memories and questions arising from that fateful day in the woods over twenty years ago threatening to overwhelm her, Jo decides to try and uncover what really happened all those years ago to her and Claire.

Jo is an unpredictable, and at times unreliable, narrator who makes for an interesting and flawed heroine. Sergeant Davie Gray is an altogether more solid and reliable narrator, and as such is the perfect counterbalance to Jo. From the small village location, to the cast of engaging and interesting characters, many of whom seemed to be hiding something, I found BLACK WOOD a really ‘moreish’ read. I loved the twists and turns, and – although I’m usually pretty good at figuring out who did it – this book had me guessing to the end. It also features some pretty creepy masks!

Find out more about debut author SJI Holliday over on her blog at www.sjihollidayblog.wordpress.com and follow her on Twitter @SJIHolliday

 

SNOWBLIND by Ragnar Jónasson

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“Siglufjörđur: an idyllically quiet fishing village in Northern Iceland, where no one locks their doors – accessible only via a small mountain tunnel. Ari Thór Arason: a rookie policeman on his first posting, far from his girlfriend in Reykjavik – with a past that he’s unable to leave behind. When a young woman is found lying half-naked in the snow, bleeding and unconscious, and a highly esteemed, elderly writer falls to his death in the local theatre, Ari is dragged straight into the heart of a community where he can trust no one, and secrets and lies are a way of life. An avalanche and unremitting snowstorms close the mountain pass, and the 24-hour darkness threatens to push Ari over the edge, as curtains begin to twitch, and his investigation becomes increasingly complex, chilling and personal. Past plays tag with the present and the claustrophobic tension mounts, while Ari is thrust ever deeper into his own darkness – blinded by the snow, and with a killer on the loose.”

Ari Thór Arason relocates to the remote costal village of Siglufjörđur to take up his first job in the police. He’s thorough and tenacious, keen to learn and enthusiastic to do a good job in a community where no one locks their doors and the crime rate is virtually zero – until now. When the seemingly accidental death of an elderly writer is followed by what seems to be a vicious attack on a young woman the community is thrown into chaos – is a killer among them? And how, in a place where everyone knows everyone’s business, can there be no witnesses? Determined to get to the truth, Ari presses for answers, and as he does Siglufjörđur is covered in ever deepening snow – becoming cut off from the rest of the country and trapping the inhabitants together. As darkness descends, and Ari takes increasing risks to lure out the killer, the claustrophobic suspense ramps up to the max.

Snowblind uses its stunningly beautiful yet brutally remote setting to create a chilling, atmospheric locked room mystery. It’s a fantastic read with great writing, engaging characters and an expertly crafted plot filled with twists, turns and slight of hand. Ragnar Jónasson is an outstanding new voice in Nordic Noir, and Snowblind is the first in what promises to be a fabulous new series.

To find out more about Snowblind and Ragnar Jónasson visit www.orendabooks.co.uk/book/snow-blind. You can follow Ragnar on Twitter @ragnarjo and translator Quentin Bates @graskeggur

 

BLOODSTREAM by Luca Veste

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“Social media stars Chloe Morrison and Joe Hooper seem to have it all – until their bodies are found following an anonymous phone call to their high-profile agent. Tied and bound to chairs facing each other, their violent deaths cause a media scrum to descend on Liverpool, with DI David Murphy and DS Laura Rossi assigned to the case.

Murphy is dismissive, but the media pressure intensified when another couple is found in the same manner as the first. Only this time the killer has left a message. A link to a private video on the internet, and the words ‘Nothing stays secret’. It quickly becomes clear that more people will die; that the killer believes secrets and lies within relationships should have deadly consequences …”

This third book in the Murphy and Rossi series is a real page-turner of a read. The strong sense of place and vivid descriptions bring Liverpool to life, and Murphy and Rossi make for a great crime-solving duo.

The story brings into sharp focus how the media, and social media, feed into and off violent crime, and how the amount of media coverage, and the way individuals are portrayed, is dependent on the perceived value of that person and their death to ratings and circulation figures.

BLOODSTREAM is a dark, gritty and disturbingly sinister police procedural that I found utterly unputdownable.

Learn more about Luca Veste at www.lucaveste.com and follow him on Twitter @lucaveste

 

TELL NO TALES by Eva Dolan

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“The car that ploughs into the bus stop early one morning leaves a trail of death and destruction behind it. DS Ferreira and DI Zigic are called in from the Peterborough Hate Crimes Unit to handle the investigation but with another major case on their hands, one with disturbing Neo-Nazi overtones, they are relieved when there seems to be an obvious suspect. But the case isn’t that simple and with tensions erupting in the town, leading to more violence, the media are soon hounding them for answers.

Ferreira believes that local politician Richard Stotton, head of a recently established ring-wing party, must be involved somehow. Journalists have been quick to acclaim Stotton, with his Brazilian wife and RAF career, as a serious contender for a major political career, despite his extremist views, but is his party a cover for something far more dangerous?”

TELL NO TALES is the second book in the DS Ferreira and DI Zigic series. In it, Ferreira and Zigic are assigned to investigate the hit and run, but what at first seems a fairly straightforward case soon turns out to be far more complex than they’d originally thought. Alongside the hit and run, they’re still struggling to find suspects in a chain of recent murders. The brutal, racially motivated attacks have already claimed two victims, but Zigic’s boss wants the motive for the murders downplayed. The attackers are well prepared and ruthless, beating their victims to death and even playing up to the CCTV cameras they know are filming them. But even with video and forensic evidence, the detectives are no closer to identifying the killers. And things are going to get worse, a lot worse, before they get more leads. With tensions rising, and violence escalating, the two investigations begin to blur, and Ferreira and Zigic find their skills, and their resolve, tested to their very limits.

As in the first book, Ferreira and Zigic make a great duo, with Ferreira’s bold ‘tell it as it is’ attitude perfectly off set by Zigic’s more steady, measured, but no less determined approach. As the investigation progresses they deal with the challenges and try to cope with the shocking brutality of the cases in their own individual ways, but despite their differences, and Ferreira’s reservations about the additional officers assigned to Hate Crimes to support them, they work well together to unravel the complex and interwoven connections that have led to these extreme acts of violence taking place in the town.

A compelling story, beautifully crafted, TELL NO TALES has tension crackling off every page.

To learn more about Eva Dolan hop over to her author page at www.randomhouse.co.uk/authors/eva-dolan and follow her on Twitter @eva_dolan

 

STASI CHILD by David Young

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“East Berlin, 1975: Questions are dangerous. Answers can kill. When murder squad head Oberleutnant Karin Müller is called to investigate a teenage girl’s body found riddled with bullets at the foot of the Berlin Wall, she imagines she’s seen it all before. But when she arrives she realises this is a death like no other: it seems the girl was trying to escape – but from the West.

Müller is a member of the People’s Police, but in East Germany her power only stretches so far. The Stasi want her to discover the identity of the girl, but assure her the case is otherwise closed – and strongly discourage her asking questions. The evidence doesn’t add up, and it soon becomes clear that the crime scene has been staged, the girl’s features mutilated. But this is not a regime that tolerates a curious mind, and Müller doesn’t realise that the trail she’s following will lead her dangerously close to home.

The previous summer, on Rügen Island off the Baltic Coast, two desperate teenage girls conspire to escape the physical and sexual abuse of the young workhouse they call home. Forced to assemble furniture packs for the West, the girls live out a monotonous, painful and hopeless life. Stowing away in the very furniture they are forced to make, the girls arrived in Hamburg. But their celebrations are short-lived as they discover there is a price on freedom in the DDR …”

STASI CHILD is David Young’s debut novel and the first in the Oberleutnant Karin Müller series. Striving for justice whatever the cost is second nature to Müller. She’s a determined, strong and courageous detective, following the evidence and questioning anomalies even when warned off by some very powerful and threatening people. Defying instructions, she leads her team to find the truth hidden beneath the propaganda and cover-ups. But despite her hard-line stance in her job, in her personal life her relationships are imploding and as she juggles the conflict at home with an increasingly tense situation at work, it’s not long before Müller herself could be in danger.

Set in our chillingly authentic recent-past, this pacey page-turner of a police procedural is filled with fear, power struggles and intrigue making it one hell of a debut novel.

To find out more about David Young follow him on Twitter @djy_writer

 

TIME OF DEATH by Mark Billingham

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“The Missing: Two schoolgirls are abducted in the small, dying Warwickshire town of Polesford, driving a knife into the heart of the community where police officer Helen Weeks grew up, and from which she long escaped. But this is a place full of secrets, where dangerous truths lie buried.

The Accused: When it’s splashed all over the press that family man Stephen Bates has been arrested, Helen and her partner Tom Thorne head to the flooded town to support Bates’ wife – an old school friend of Helen’s – who is living under siege with two teenage children and convinced of her husband’s innocence.

The Dead: As residents and media bay for Bates’ blood, a decomposing body is found. The police believe that they have their murderer in custody, but one man believes otherwise. With a girl still missing, Thorne sets himself on a collision course with local police, townsfolk – and a merciless killer.”

TIME OF DEATH, the latest book in Mark Billingham’s Tom Thorne series, takes Tom out of his usual city surroundings on a visit to the countryside for a romantic break with his partner Helen Weeks. But it doesn’t stay a relaxing holiday for long. When Helen recognises the wife of the man accused of the abduction of two schoolgirls from a small Warwickshire community, their holiday is cut short as they head to Polesford for Helen to support her old school friend.

Taking Thorne out of his London comfort zone is genius move. He hates the countryside, especially the thought of antiquing and walking, so he starts his own (unofficial) investigation. This forces him to embrace everything the area has to throw at him – floods, pigs, a lot of characterful locals, and the kind of claustrophobic environment where everyone knows each other’s business. Being the outsider, and not officially involved in the case, he’s able to follow his instincts unchecked, and starts to find he’s actually rather enjoying his holiday. He even manages to entice his friend, and talented Pathologist, Phil Hendricks, out from the city to help him. They still haven’t really spoken about what happened on Bardsey Island (in the previous book The Bones Beneath) and the personal cost to Phil (and Thorne) that resulted, but their friendship is a strong as ever and their banter is, as always, a joy to read.

TIME OF DEATH is filled with mystery and intrigue from the abduction case Tom is investigating, it also layers on a growing sense of unease that coming back to the place she grew up has unearthed some deeply buried secrets that Helen has kept well hidden.

Masterfully written, this is another fabulous instalment in what I think is the best police procedural series around today.

Learn more about Mark Billingham by checking out his website at www.markbillingham.com and follow him on Twitter @MarkBillingham

 

So there they are – my top crime reads of 2015.

Pop back next week to see my top thriller reads of the year.

 

 

 

 

 

What happened at the brilliant #BloodyScotland Crime Writing Festival 2015 (Part 1)

Whose Crime Is It Anyway? (c) Eoin Carey

Whose Crime Is It Anyway? (c) Eoin Carey

The Bloody Scotland Crime Writing Festival is one of those festivals that goes from strength to strength. This year the organising team, led by the ever sparky Dom Hastings, put on a fabulous programme of events from panels to interviews, an awards dinner, a pub cabaret, and a football match – there really was something for everyone. In fact, it was so good it’s taken me a week to recover enough to blog about it!

The weekend kicked off with Val McDermid and Peter May in conversation, followed by Whose Crime is it Anyway? – with TV presenter Hardeep Singh Kohli throwing out the challenges to crime writers Christopher Brookmyre, Kevin Wignall and Caro Ramsay to improvise on the spot. Once the opening events finished, as ever at crime writing festivals, the rest of the evening was spent in the bar at the Stirling Highland Hotel with a glass of wine (or two, or three …).

Scotland v England

Scotland v England

On Saturday, I wasn’t able to get to many events as I was in training for a special performance with The Slice Girls at the Crime in the Coo event later that evening. But I heard great things about the Killer Women panel – Louise Millar, Helen Giltrow, and MJ McGrath – who discussed whether the Woman is deadlier than the Male? The thought provoking Self Publishing session with Alexandra Sokoloff and Allan Guthrie, and the New Crimes panel with debut authors Lucy Ribchester (The Hourglass Factory), Chris Dolan (Potter’s Field), SJI Holliday (Black Wood) and Mark Legatt (Names of the Dead) – which all sound like fabulous reads.

In the afternoon, in a brief pause between practices, I did get along to the Breaking the Law panel which had dynamic law buffs Steve Cavanagh, Neil White and Jeffrey Siger, along with Craig Sisterson, talking about the difference between the law in crime thrillers and crime fact, how they draw on their real life experiences in their writing, and the legal thrillers that they especially admire. After that, it was a quick sprint to get ready for the Crime in the Coo before meeting my fellow Slice Girls for one final practice (more about that on the blog tomorrow!)

(c) Eoin Carey

(c) Eoin Carey

After a late, late night on Saturday, my start on Sunday wasn’t especially early! The first event I got along to was the Thriller panel with Simon Kernick, Tom Wood, G.J. Brown and Mason Cross. In a lively debate they talked locations – whether to visit them or not, and the perils if you don’t, the fun of writing “lone wolf” characters, and about their routes to publication (the key, so they say, is not to let rejection stop you).

Then, with the sky getting darker by the minute, it was a short walk up the hill to the bowling green at Cowane’s Hospital where the Bloody Scotland Crime Writers Football Match: Scotland v England was happening. After Scotland’s convincing win last year there was a lot at stake, and as the game kicked off both teams looked very determined. In a tense game, where the players had to contend with alternating sunshine and pouring rain, the two sides looked pretty evenly matched with goal keepers Luca Veste (England) and Craig Robertson (Scotland) kept busy as both sides battled it out to win.

(c) Eoin Carey

(c) Eoin Carey

At the end of the match, the score was 5-5.

The Scotland goals came from Mark Stanton, Christopher Brookmyre, and Doug Johnstone (3). For England the scorers were Vincent Holland-Keane (2), Col Bury (2) and Howard Linskey. The team captains – Ian Rankin (Scotland) and Simon Kernick (England) held the trophy aloft and then, as the rain got heavier, it was time to trot back down the hill (to the bar!).

The final event of the festival was Literary Agent, Jenny Brown, interviewing bestselling crime thriller writer, Linwood Barclay, who was on his first visit to Scotland. To a packed audience, Linwood talked about his writing career, his latest book Broken Promise – the first of a sequence of three connected stories – and on creating a story with a killer hook. Very interesting and highly entertaining, this was the perfect session to end the festival with. Then it was back to the bar, for one final night, before setting off home the next morning.

Jenny Brown interviewing Linwood Barclay (c) Eoin Carey

Jenny Brown interviewing Linwood Barclay (c) Eoin Carey

Next year the Bloody Scotland Crime Writing Festival runs from 9 – 11 September 2016. If you love crime fiction then you absolutely need to be there – put the dates in your diary and book a hotel, now! Trust me, this is one festival that you won’t want to miss out on.

But, of course, there’s something that I haven’t told you about in this blog post – just what happened at Crime in the Coo on Saturday night.

If you want to know, pop back tomorrow for my “(Not so) Secret Diary of a Slice Girl post. 

In the meantime, here’s a sneaky peep …

The Slice Girls on the bar at The Curly Coo (c) Eoin Carey

The Slice Girls on the bar at The Curly Coo (c) Eoin Carey

CTG Reviews: THE DOMINO KILLER by Neil White

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What the blurb says: “When a man is found beaten to death in a local Manchester park, Detective Constable Sam Parker is one of the investigating officers. Sam swiftly identifies the victim, but what at first looks like an open-and-shut case quickly starts to unravel when he realises that the victim’s fingerprints were found on a knife at another crime scene, a month earlier.

Meanwhile, Sam’s brother, Joe – a criminal defence lawyer in the city – comes face to face with a man whose very presence sends shockwaves through his life. Joe must confront the demons of his past as he struggles to come to terms with the darkness that this man represents.

Before long, Joe and Sam are in way over their heads, both sucked into a terrifying game of cat-and-mouse that threatens to change their lives for ever …”

THE DOMINO KILLER is the third instalment of Neil White’s Parker brothers series and it fully delivers all the pulse-pounding tension, twists, and page-turning action that fans of crime thrillers crave.

The book opens with criminal defence lawyer Joe Parker being called in for a client meeting with a man charged with a bizarre theft, and detective Sam Parker involved in investigating a series of seemingly unconnected murders. But neither situation is quite as it first seems, and soon the cases collide in an explosive way that neither brother could have anticipated.

This story has the perfect balance between procedural detail and high intensity action. There’s a real immediacy to the writing and a chilling sense of jeopardy right from the outset that carries all the way through the book to the show-stopping finale. As the story develops, and the brothers’ cases become increasingly intertwined, the tension rises ever higher – making this one of those books that has you reading well into the early hours, desperate for sleep but unable to resist reading just one more chapter.

But this book isn’t just about the action. There’s a real emotion kick too, delivered as the brothers get closer to identifying the man who was responsible for their sister’s murder back when they were teenagers. As the stakes ramp up, they are forced to decide just how far they’re willing to go in order to get justice – putting their careers, their friendships, their families, and their lives on the line.

THE DOMINO KILLER is a fantastic read. It stands alone, but if you’ve not read the first two books I’d urge you to go back and start at the beginning of the series – it will be well worth it.

Utterly authentic and captivatingly compelling, this story grabs you by the throat and keeps you pinned right from the first page to the last.

An absolute must-read for crime thriller fans, and one of my favourite books of 2015.

 

To find out more about THE DOMINO KILLER you can read my interview with Neil White here, check out his website at www.neilwhite.net and follow him on Twitter @neilwhite1965

You can get THE DOMINO KILLER from Amazon by clicking on the book cover below:

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[With thanks to those lovely folks at Sphere for my copy of THE DOMINO KILLER]

CTG Interviews #NeilWhite for THE DOMINO KILLER Blog Tour

crime writer Neil White

crime writer Neil White

Today I’m delighted to be hosting the latest stop on best selling crime writer Neil White’s blog tour. Neil’s kindly agreed to let me grill him about his latest books and his writing process.

And so, to the questions …

Your latest thriller – THE DOMINO KILLER – comes out this week, can you tell us a bit about it?

It’s the concluding book in the Parker brothers trilogy and deals partially with the running thread through the first two books, the murder of their sister many years earlier. As well as that, men are being murdered in Manchester, with a link between each one. The story starts with the murder of a man in a park, and it’s discovered that the dead man’s bloodied fingerprint was found on a knife near a body a few weeks earlier. What links them, and is there a connection with Sam and Joe’s murdered sister?

Your lead characters are brothers Joe Parker (a top criminal defence lawyer) and Sam Parker (a talented detective) – what gave you the idea for them?

It was really the notion of conflict, which I hit upon by accident when I was writing my first series involving a crime reporter and a detective who were also in a relationship. What seemed to work was that the reporter wanted to know about the cases his partner was involved in, and of course she wanted to keep him out of them.

When I realised I had to come up with a new idea, I stuck with the notion of two people who are close but have conflicting roles. Two brothers on the opposite side of the legal fence seemed to fit.

It fitted also with my own desire to make the books more legal.

I’d flirted with legal elements in the earlier books, but had always worried that I would become obsessed by making them so accurate that they ceased to be interesting; a day in court can occasionally be as mundane as any other job, punctuated by delays and often filled with so much routine.

When the drama does happen, however, it’s often pretty fun. I’m a prosecutor, and I’ve been shouted at and threatened, and at one point invited outside to “resolve matters”, and that’s just from the defence lawyers (yes, really, including the invitation to a street brawl). The criminals, on the whole, have been okay.

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You’re a lawyer by day and a crime writer by night, what’s your secret to juggling these two roles?

I wish I knew it. I do what I have to do, and I don’t doubt that each job impacts negatively on the other through fatigue.

I’m not as good as I used to be after a day at work. I work just three days a week now, so I write off those nights, but I find it hard to believe that it isn’t that long since I was doing both full-time. I remember getting to the end of one of my books, I can’t remember which, and just said that was it, I was beat. I was shattered, a squeezed sponge. So I gave up a couple of days of work and now it feels more balanced.

The hardest thing is losing so much of my time. I never truly have a day off, and have taken my laptop on most of my family holidays.

What got you started writing crime fiction?

That is probably a two-part question.

What got me writing fiction? Because I always thought it was something I could do. That is just about as simple as it gets. It was something I was able to do well at school and seemed to stand me in good stead during university. I said even then that I wanted to be a writer, and at one point thought of giving up my law degree to switch to journalism, just because I thought putting words on a page was my strength.

So why crime? It’s because that’s what I read, and crime has always been my interest. As a student, I imagined myself in a courtroom, not a boardroom. I’m a criminal lawyer because I like crime. I write crime fiction because I like crime. Who couldn’t be interested in the extremes of human behaviour and emotion?

What’s your best writing moment so far?

Reaching number one in the ebook charts with my fifth book, Cold Kill. To go onto Amazon and see my book at the top of the pile on the homepage was unreal. It was something I couldn’t have imagined when I started out.

For those aspiring to publication, what advice would you give them?

That depends on what sort of publication.

If someone is aspiring towards traditional publishers, keep on plugging. If you’re good enough, someone somewhere will spot you.

If someone is wanting to self-publish through ebooks or print, engage an editor. I self-published in 2004, and it was the self-published book that got me an agent and eventually a publishing deal, but the one thing I hate about it is the failure to engage an editor. There are typos and grammatical howlers in it, and it would have been so much better for me to be proud of it still, but instead it’s the one I’m happy to see fade into history.

And, finally, what does the rest of the year have in store for you?

I’ve just signed a deal for three books with Bonnier, under their new imprint Zaffre, and it sounds like they have exciting things planned. It’s a move of publishers but that brings new challenges and new adventures. The first book should be out next summer; once I’ve written it, of course.

Fantastic! Thanks so much to Neil White for taking the time to come and chat to us on the CTG blog today.

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Be sure to check out Neil’s latest thriller – THE DOMINO KILLER – which is out this week in hardback. Here’s the blurb: “When a man is found beaten to death in a local Manchester park, Detective Constable Sam Parker is one of the investigating officers. Sam swiftly identifies the victim, but what at first looks like an open and shut case quickly starts to unravel when he realizes that the victim’s fingerprints were found on a knife at another crime scene, a month earlier. Meanwhile, Sam’s brother, Joe – a criminal defence lawyer in the city – comes face to face with a man whose very presence sends shockwaves through his life. Joe must confront the demons of his past as he struggles to come to terms with the darkness that this man represents. Before long, Joe and Sam are in way over their heads, both sucked into a terrifying game of cat-and-mouse that threatens to change their lives for ever …”

You can also now get your hands on THE DEATH COLLECTOR in paperback now (released last week). Here’s the blurb: “Danger sometimes comes in the most unexpected guises. The Death Collector is charming, sophisticated and intelligent, but he likes to dominate women, to make them give themselves to him completely; to surrender their dignity and their lives. He’s a collector of beautiful things, so once he traps them he’ll never let them go. Joe is drawn into the Death Collector’s world when he becomes involved in a supposed miscarriage of justice, and when the case becomes dangerous, Sam is the first person he turns to. In this gripping thriller, danger lurks for not only the Parker brothers, but also those closest to them.”

To find out more about Neil and his books hop on over to his website at www.neilwhite.net and follow him on Twitter @neilwhite1965