#crimewritersincafesprocrastinating – Rod Reynolds shares his procrastination pitfalls and confesses he’s a reluctant plotter @Rod_RW

 

Today crime writer Rod Reynolds is joining me for Crime Writers In Cafes Procrastinating. As the title suggests, this feature is all about the lengths writers go to procrastinate when they should be writing, and how they (eventually) manage to win against the temptation of the path of procrastination to finish their books.

Rod’s latest book – COLD DESERT SKY – is the third book in his acclaimed Charlie Yates series published by Faber.

Welcome Rod, so tell me all about your latest book – Cold Desert Sky?

Cold Desert Sky is the third book in the Charlie Yates series. It finds Charlie obsessed with the disappearance of two aspiring starlets, while trying to stay ahead of infamous mob boss Benjamin ‘Bugsy’ Siegel, who’s tearing LA apart trying to find him. But Charlie’s investigation leads to him getting caught up in a murderous blackmail racket, targeting Hollywood bigwigs.

The action moves to Las Vegas, right around the time Siegel was completing his masterplan: The Flamingo Hotel, which laid the foundation for the city as we know it today. Yates finds himself caught between Sigel’s outfit and a rogue FBI agent, and as his chances of getting out alive dwindle, his only care is to find out what happened to the missing girls while he still can.

How long did Cold Desert Sky take to write?

I spent a couple of months researching the historical facts and locations featured in the book, then about four months writing the first draft. Then I spent another couple of months editing and polishing before I let anyone read it. That’s about normal for me – I’d be quicker if I didn’t have to fit writing in around school runs, nursery runs, and playground trips!

What’s your favourite writing/procrastination spot – home, café, bar, other?

I prefer to write at home – I think because it offers the most options for procrastination – but I quite often have to decamp to get some peace and quiet, so I tend to either go to a cafe on the high street near me, or the library. The problem with the latter is that there are all these books I want to read just staring at me from the shelves…

What’s your writing process – do you jump straight in, or plan and plot first?

I started out pantsing, but I’ve plotted more with each book I’ve written – so I guess you could call me a reluctant plotter. I used to worry that planning would stifle creativity and stop the story from developing organically, but I’ve come to learn that having the spine of an idea still leaves plenty of room for both those things to happen, and actually saves me a lot of time in the long run. It’s like that old cliche about having a destination in mind but figuring out the route as you go.

When you’re writing, do you find you procrastinate more at the beginning, middle or end of the draft, or equally across all three?

Definitely the middle. The start of a book is always great fun to write, because it’s a blank canvas (even if you’re writing a series) and the possibilities are almost limitless. And I always find the end stages take on a momentum of their own. Whereas I think most writers find the middle the toughest because you’ve got to sustain the plot, keep the pace up, keep the characters developing, all while holding back the really juicy stuff for the end. So my twitter trigger-finger tends to get itchy between about 30k and 70k words.

Do you prefer first drafts or edits (and why)?

I know a lot of writers think this is a binary choice, but I’m not averse to either. I like the freedom of a first draft, and I like the precision of the editing stage. If I had to choose, it would be the editing stage though. It’s the difference between laying the first bricks building a house, and polishing the doorknob and choosing the furniture when its all finished.

When you’re procrastinating, what’s the activity you turn to most?

Social media’s a the obvious one – it’s just so easy. Especially twitter, because the crime-writing community is so strong on there, so it’s easy to jump into a fun conversation. But I also try to put procrastination to a good use, so I try to exercise or go for a run, if I can summon the willpower. Running is one of my best methods for working through plot problems or getting some headspace to think about whatever I’m working on, so it can be really helpful, if I can tear myself off the chair…

When you’re writing what’s your drink and snack of choice?

Coffee – although not as much as I used to drink when I was working in advertising. I tend to work better in the mornings, so I’ve never really tried writing with a glass of wine or anything like that; I’m not sure I’d be very productive! And I try to avoid snacking when I’m at my desk, so I usually aim to get by on a handful of nuts or some fruit. But when my willpower drops, I can eat a packet of biscuits without stopping for breath. And then get started on the cake.

And how do you celebrate the completion of the book (you winning against procrastination)?

I don’t think you ever win against procrastination! I usually take a few weeks off from writing when I finish a book, and certainly a few beers will be drunk, but you can’t ever really go nuts because there’s always something else to do – and I tend to get the urge to start something new before too long.

Huge thanks to Rod for letting me grill him about his procrastination (and writing) habits. To see what happens when his Twitter trigger-finger gets twitchy follow him on Twitter @Rod_WR

And be sure to check out his fabulous new book – COLD DESERT SKY. Click on the book cover below to find out more over at Amazon:

CTG’s #threewordbookreview – Cold Desert Sky by Rod Reynolds

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Today’s three word ‘micro’ book review features the latest in the wonderful Charlie Yates  series – COLD DESERT SKY by Rod Reynolds.

Here’s what the blurb says: “Late 1946 and Charlie Yates and his wife Lizzie have returned to Los Angeles, trying to stay anonymous in the City of Angels. But when Yates, back in his old job at the Pacific Journal, becomes obsessed by the disappearance of two aspiring Hollywood starlets, he finds it leads him right back to his worse fear: legendary mob boss Benjamin ‘Bugsy’ Siegel, a man he once crossed, and whose shadow he can’t shake.”

My verdict: PAGE-TURNING. ATMOSPHERIC. NOIR.

This is one of my favourite thriller series and Cold Desert Sky is a fantastic read – perfect for fans of all things crime thriller and American noir.

Cold Desert Sky is out now from Faber. To find out more and buy the book click the cover below and hop over to Amazon:

GIRLS ON TOP: SEX IN CRIME FICTION (PART 1) with STEPH BROADRIBB & SJI HOLLIDAY #GirlsOnTop

 

Today it’s time for something a little different. Susi (SJI) Holliday and me, in conjunction with CrimeTime, have been thinking about sex in crime fiction. You can read our thoughts in a few places – the first half of our conversation here on the CTG blog, the second half over on Susi’s blog HERE, and the full article over on the CrimeTime website HERE

Once you’ve had a read, we’d love to know your thoughts – do you like a sprinkling of sex with your crime? And, if you do, what’s the most memorable sex scene in a crime thriller for you? Tweet us at @crimethrillgirl and @SJIHolliday using hashtag #GirlsOnTop to let us know.

[STEPH] Let’s talk about sex. Sex in crime fiction, specifically. Okay, so I’ll go first – I’m not embarrassed – there’s a couple of sex scenes in my debut novel DEEP DOWN DEAD. One is more of a cut away as the action happens, but the other one, towards the end of the book, is very much the action as it happens; my protagonist Lori Anderson riding a male character cowgirl style. I put it in because the scene felt right for the story and (I hope) conveys something about the characters, adding additional conflict and raising the emotional stakes of the decisions they’re about to make and the (negative) consequences they could have for their relationship. That’s a whole lot of subtext to put on a sex scene, but that’s my rationale.

Back when I was starting to write my novel, I was told that sex and crime fiction don’t mix, but that doesn’t seem quite right to me. I can think of memorable sex scenes in the crime thriller genre like Lee Child’s The Affair – Jack Reacher has sex as a train thunders along the tracks – and that chilling sex scene in Gone Girl between Amy and Desi – the book, and the slightly more bloody film version! But, now I think about it, I can’t think of many detective stories that have sex scenes playing out in full in them unless the sex itself is the crime to be solved. Surely there must be more and my memory is just playing tricks on me? To help, I’ve enlisted crime writer S.J.I. Holliday – author of the Banktoun series – to answer the question, do sex and detective fiction mix?

[SUSI] I really don’t see why not. When you ask people about this, you get very mixed responses. Readers (in general) are absolutely fine with serial killers, blood, gore, death and destruction. But throw a blow job in there and they’re skimming the pages faster than a quickie in the stationery cupboard.

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The Slice Girls [L-R]: Alexandra Sokoloff, Steph Broadribb, AK Benedict, Louise Voss, Susi Holliday, Harley Jane Kozak

Personally, I love a bit of sex. Slotted in at the right time, it can help add to the tension of your story, especially if the characters are having sex with people they shouldn’t. In all three of my books, there is a hint of sex – an encounter reminiscent of 9½ Weeks on a kitchen table in BLACK WOOD, where various food items are strewn around the kitchen… In WILLOW WALK, there’s a first-timer’s sex scene down by the river which I thought was quite touching (so to speak) and entirely relevant to the plot. There’s actually less sex in THE DAMSELFLY than in the other two. A thwarted BJ and an illicit scene in a lock-up that’s kept mainly off the page. It totally depends on the story. It definitely shouldn’t be shoehorned in if it doesn’t advance the plot.

[STEPH] Seems like Susi and me are on the same page about sex-on-the-page, but what about other crime writers, what do they think? We asked a few to find out.

Neil White – From the Shadows (Bonnier Zaffre) – said, ‘Never written a sex scene. Too buttoned up. My mum will read it’ and Mason Cross – The Time To Kill (Orion) – said, ‘I’ve only included PG13 sex scenes so far, although I may need to change that for plot reasons in the new one. But Jeez, my dad reads these!’ So it could be the fear of family members reading intimate scenes is in the forefront of some writers’s minds (and limits them going all the way) but that’s not all. Chris Ewan – Long Time Lost (Faber) – said, ‘I almost wrote one yesterday and then … just cut away again. Performance anxiety.’

It also depends on the character. James Oswald – Written In Bones (Penguin) – said, ‘I don’t put much sex in my books. Tony McLean is incredibly repressed anyway, so there’s that too … on the other hand there’s auto-erotic asphyxiation and death by priapism in my latest, so maybe I do write sex after all.’

Andy Martin – Reacher Said Nothing (Transworld) – said, ‘Sad to say there are few explicit sex scenes of note in Reacher Said Nothing. I only looked over Lee Child’s shoulder while he was writing Make Me. I think there is the occasional manly handshake. But Lee – as straight as a die – had some wry remarks to make on the subject. “Never sleep with someone you know,” still resonates in my mind. And more recently he said that the most erotic experience he had ever had was a brief encounter on a train. They shared a moment but had no actual language in common. I think I may have been influenced by Childean minimalism, that “zero degree” of writing recommended by Roland Barthes. I was at a Norman Mailer writers colony in Wyoming recently when a brilliant Indian writer devised an elaborate sex scene about a dozen pages long. I wrote one, rather shorter, that went like this: “We had sex.” It’s not exactly lyrical or spiritual but it gets the job done.’

It seems, from the guys we spoke to, that male crime thriller writers generally prefer not to write on-the-page sex and to cut away before the act takes place. Mark Edwards – The Devil’s Work (Thomas & Mercer) – bucks this trend, he wants more sex in crime fiction, and said, ‘we Brits are notoriously squeamish when it comes to the squelchy bits. Wouldn’t it be nice if more of our great detectives were as skillful in bed as they are at solving crimes? Don’t you think there should be more people handcuffed to beds in thrillers because they like being handcuffed to beds?’

To find out what the female crime writers thought, why Susi hates ‘panties’ and what the trick to writing a good sex scene is, hop over to Susi’s blog HERE then come find us on Twitter @crimethrillgirl and @SJIHolliday and tell us your thoughts on sex in crime fiction using hashtag #GirlsOnTop

And check out the article in full on Barry Forshaw’s CrimeTime at www.crimetime.co.uk  and check out his Rough Guide to Crime Fiction here

Buy DEEP DOWN DEAD by Steph Broadribb here

Buy THE DAMSELFLY by SJI Holliday here

And you can buy books by our contributing authors by clicking the book titles below:

Neil WhiteFrom the Shadows (Bonnier Zaffre)

Mason CrossThe Time To Kill (Orion)

Chris EwanLong Time Lost (Faber)

James OswaldWritten In Bones (Penguin)

Andy MartinReacher Said Nothing (Transworld)

Mark EdwardsThe Devil’s Work (Thomas & Mercer)

 

More about Steph and Susi:

Steph Broadribb is an alumni of the MA Creative Writing at City University London and trained as a bounty hunter in California. Her debut novel DEEP DOWN DEAD is out now. Find out more at www.crimethrillergirl.com right here!

S.J.I. (Susi) Holliday grew up near Edinburgh and now lives in London. She works as a statistician in the pharmaceutical industry and writes books set in a creepy and claustrophobic small town in Scotland where the crime rate is apparently higher than in New York. BLACK WOOD, WILLOW WALK and THE DAMSELFLY are a mix of psychological thriller and detective fiction, featuring the terminally unlucky in love, Sergeant Davie Gray. You can find out more at www.sjiholliday.com

 

CTG REVIEWS: FEVER CITY by Tim Baker

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What the blurb says: “Nick Alston, a Los Angeles private investigator, is hired to find the kidnapped son of America’s richest and most hated man. Hastings, a mob hitman in search of redemption, is also on the trail. But both men soon become ensnared by a sinister cabal that spreads from the White House all the way to Dealey Plaza. Decades later in Dallas, Alston’s son stumbles across evidence from JFK conspiracy buffs that just might link his father to the shot heard round the world.”

 

This is one hell of a read.

I’m a total sucker for anything to do with JFK and Marilyn Monroe, so FEVER CITY with its thriller and conspiracy plotlines had me totally hooked.

The story is told through multiple narrators, and across three timelines – two in the 1960s and one in present time. As the storylines of investigation, redemption, obsession and the search for personal truth intertwine, they give the reader tantalising glimpses of the full picture, and raise the stakes and the tension ever-higher towards the shocking climax.

It’s as gritty and violent as the most ruthless hitman, and as glamorous and captivating as the most beautiful femme fatale. And the writing is simply stunning.

FEVER CITY is a cinematic, mystery-filled thrill of a read. If you like your thrillers super twisty with an extra loading of suspense, you won’t be disappointed – buy it now!

 

FEVER CITY is out in paperback now. You can buy it from Amazon here and from Waterstones here

To find out more about Tim Baker and stay up to date with news on his books follow him on Twitter @TimBakerWrites

#TheIntrusions Blog Tour: Stav Sherez talks about writing Prologues

 

Today I’m delighted to be hosting a stop on the #TheIntrusions Blog Tour and am joined by fabulous crime writer Stav Sherez.

Stav is a fan of using prologues in his novels (as am I) and he’s kindly agreed to talk about his process for prologue writing and how the prologue in his latest book – THE INTRUSIONS – came about.

Over to Stav …

Every crime novel has a beginning, middle and end – but where, exactly, do you begin? The question of whether to prologue or not is one of the most frequently asked in creative writing classes. The answer is often hotly debated but, like everything else in fiction, there is no right or wrong way, only what suits the book in question.

I’ve seen so many creative writing tips and lists that tell you never to prologue. They claim it slows the action down, prevents readers from immediately engaging with the narrative, and is unnecessary.

I disagree with this. I love prologues. I love to read them and I love to write them. All my novels have featured them. And – despite being beginnings – they’re nearly always the last sections to be written.

There’s something about the very nature of a prologue that is perfect for creating mystery. The prologue, rather than putting off the action, plunges you straight into the story, not knowing if it’s the beginning, middle or end of the narrative. Prologues create a frame and that’s perhaps one of the main reasons I like them, the way they stand outside the main action – the prologue can chart events that take place days or weeks or even years before the central narrative or they can be enigmatic flash-forwards straight into the heart of the book. As a reader, my favourite type of prologues are the ones where I have no idea how they relate to the plot until three-quarters of the way through – it all clicks into place.

But I never get it right the first time. Or the second. Or the third. Or the twenty-third. Every novel I’ve ever written has featured several very different prologues before I settled on the final one. I never know how to start until I have reached the end.

The Intrusions proved the hardest of my novels to write a prologue for. I wrote what I thought was a decent prologue after I’d finished the first draft. It was set 30 years before the action of the novel and in another country – but it didn’t fit. It knocked the main storyline off-kilter. I cut it and rethought the beginning. My second prologue was 10,000 words and consisted of only one sentence! The idea was to start the book with a long tracking shot the way Orson Welles does in Touch of Evil. The prologue followed a relay of CCTV cameras across London on a Friday night, picking up the main characters, following them, dropping them, and roving across the capital. I’m kind of glad I didn’t stick with that one…

The next prologue was set during one of the character’s childhood years. It was a family dinner scene, static and tense and a world away from the previous prologue. I was quite happy with it but one of the benefits of doing many drafts is you get to read over the novel a hundred times or more and anything that doesn’t fit or is boring becomes obvious very quickly – and the new prologue was just too far removed from the action and themes of the novel.

I tried again. I started from scratch and this time the prologue, though it takes place some time before the action of the book, supplied part of the puzzle that Carrigan and Miller would later have to solve. It also introduced some of the themes I wanted to explore in the novel and, finally, it felt exciting, plunging the reader directly into peril.

It took me two and a half years of writing different prologues before I found the one which suited the book but, sometimes, you need to write all the wrong things before you can get it right.

A huge thank you to Stav Sherez for popping over to the CTG blog today and talking about prologues.

THE INTRUSIONS is out now. Here’s what the blurb says: “When a distressed young woman arrives at the station claiming her friend has been abducted, and that the man threatened to come back and ‘claim her next’, Detectives Carrigan and Miller are thrust into a terrifying new world of stalking and obsession.

Taking them from a Bayswater hostel, where backpackers and foreign students share dorms and failing dreams, to the emerging threat of online intimidation, hacking, and control, The Intrusions explores disturbing contemporary themes with all the skill and dark psychology that Stav Sherez’s work has been so acclaimed for.

Under scrutiny themselves, and with old foes and enmities resurfacing, how long will Carrigan and Miller have to find out the truth behind what these two woman have been subjected to?”

THE INTRUSIONS is out now on Kindle and the 2 February in trade paperback. You can order it from Amazon here

To find out more about Stav Sherez hop over to his publisher Faber’s website here and be sure to follow him on Twitter @stavsherez

You can also check out the great stops on THE INTRUSIONS Blog Tour …

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CTG REVIEWS: THE INTRUSIONS by STAV SHEREZ

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What the blurb says: “When a distressed young woman arrives at the station claiming her friend has been abducted, and that the man threatened to come back and ‘claim her next’, Detectives Carrigan and Miller are thrust into a terrifying new world of stalking and obsession.

Taking them from a Bayswater hostel, where backpackers and foreign students share dorms and failing dreams, to the emerging threat of online intimidation, hacking, and control, The Intrusions explores disturbing contemporary themes with all the skill and dark psychology that Stav Sherez’s work has been so acclaimed for.

Under scrutiny themselves, and with old foes and enmities resurfacing, how long will Carrigan and Miller have to find out the truth behind what these two woman have been subjected to?”

Not only is Stav Sherez a masterful word wizard, he also knows how to tell one hell of a story.

THE INTRUSIONS is the latest book in the Carrigan and Miller series and thrusts the detective duo deep into the warped and brutal world of a smart and sadistic killer who is leaving a trail of broken minds and broken bodies in their wake.

This is one of those novels that grabs you from the very start and dares you not to look away as it takes you on an uncompromising dive into the dark recesses of online behaviour. It’s an authentically real feeling police procedural with a strong emotional heart. Every character is rounded and nuanced, and every twist and turn in the plot hooks you harder and propels you quicker through the chapters towards the breathtaking finale.

Darkly poetic and chillingly haunting, THE INTRUSIONS gets under your skin and into your mind, lingering long after the final page has been turned.

An absolute must read for all crime fiction fans.

THE INTRUSIONS is published on 31 January on Kindle and the 2 February in trade paperback. You can order it from Amazon here 

To find out more about Stav Sherez hop over to his publisher Faber’s website here and be sure to follow him on Twitter @stavsherez

You can also check out the great stops on THE INTRUSIONS Blog Tour …

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CTG’s TOP TEN “MUST PACK” #CrimeFiction SUMMER READS

 

 

If you’ve been stressed out and counting the hours (minutes, seconds …) till your holiday the last thing you want is more stress from picking the right books to take with you!

But there are so many red hot sizzlers of reads out there, how do you pick the books to pack into your luggage? It’s a tough call, so to help you out I thought I’d do a top ten selection of my favourite reads from the past few months to give you a bit of a head start.

And so, after A LOT of deliberation, these are my top ten “must pack” reads.

**drum roll**

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If you love super smart and sparkly fun non-fiction … then REACHER SAID NOTHING by ANDY MARTIN is the perfect companion to lie back on your beach towel with.

Through Andy’s eyes, you’ll get a backseat view of Lee Child as he writes his most recent bestseller – MAKE ME. It’s a captivating snapshot of the life of Lee Child during the writing process – illuminating how his life and his writing feed into each other – and a lesson in thriller writing distilled through the expert observations and analysis of Andy Martin. REACHER SAID NOTHING is an honest, access-all-areas study of a writer at the top of their game, and a damn entertaining read – an absolute must for Reacher fans and aspiring writers too. If you’re a fan of crime thrillers this is a book you just have to read!

Read my review of REACHER SAID NOTHING here. Click here to buy it from Amazon. And be sure to follow Andy on Twitter @andymartinink

 

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If you love your crime to come with a heavyweight emotional sucker-punch … you’ll need IN HER WAKE by AMANDA JENNINGS in your rucksack when you head off to the British seaside.

It’s a remarkable book – part psychological thriller, part coming-of-age story, it entices you in with a gloriously rich web of secrets and mystery, and holds you spell bound right through to the final heart-wrenching revelation. Beautifully written, IN HER WAKE is a story of toxic relationships, family betrayals and self-discovery. It’s both gritty and tragic, and achingly emotive and heart-warming. A stunning read.

Read my review of IN HER WAKE here. Click here to buy it from Amazon. And be sure to follow Amanda on Twitter @MandaJJennings

 

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If you love a classy whodunit with a psychological twist … be sure to take DIE OF SHAME by MARK BILLINGHAM with you when you load the truck to drive Route 66 on your road trip.

Told across two timelines, the story follows the police investigation, led by no-nonsense DI Nicola Tanner, into the murder of a member of a North West London addiction therapy group in the ‘NOW’. While in the ‘THEN’ it shows the group, and its members’ lives, as they were in the weeks leading up to the murder of one of their own. It’s a book that explores the lasting effects of addiction, the guilt of having to live with the consequences of actions you may have little recall of taking, and of each person’s battle to find and keep (or get back) their place within the world. It also shows the lengths that some people will go to in order to hide their secrets and take their revenge. For police procedural fans, the investigation narrative is as rich with detail and as tensely pacey as you’d expect from a crime-writing master of the genre. Gritty, thought provoking and utterly addictive!

Read my review of DIE OF SHAME here. Click here to buy it from Amazon. And be sure to follow Mark on Twitter @MarkBillingham

 

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If you love a modern luxury twist on the classic locked room mystery … take THE WOMAN IN CABIN 10 by RUTH WARE along for the ride when you journey on the Orient Express.

It tells the story of Lo Blackwood who has been given the career opportunity of a lifetime – attending the press launch of a new boutique cruise ship and writing about her experience on its maiden voyage. But in the days leading up to the cruise her flat is burgled while she’s sleeping, and her relationship with her boyfriend, Judah, hits the rocks. Unsettled and exhausted, Lo makes her way to the ship, convinced some rest and recuperation will help her feel better. But things don’t work out like that. Against the backdrop of ultimate luxury – white velvet, raw-silk, chandeliers with over two thousand Swarovski crystals – and the breath-taking natural beauty of the Norwegian fjords, Lo finds herself facing the possibility she’s trapped on a boat, cut off from the outside world, and one of the other passengers is a murderer. THE WOMAN IN CABIN 10 brings the classic locked room mystery bang up to date, with creepiness and ever increasing dread oozing from the pages. It’s packed with suspense and twisty with tension to the final page.

Read my review of THE WOMAN IN CABIN 10 over on the @deadgoodbooks website here. Click here to buy it from Amazon. And be sure to follow Ruth on Twitter @RuthWareWriter

 

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If you love gritty American noir … a copy of BLACK NIGHT FALLING by ROD REYNOLDS is essential reading while you’re waiting for your date to arrive in that back street whiskey bar.

The second book in the Charlie Yates series is another noir-drenched belter of a thriller. “Having left Texarkana for the safety of the West Coast, reporter Charlie Yates finds himself drawn back to the South, to Hot Springs, Arkansas, as an old acquaintance asks for his help. This time it’s less of a story Charlie’s chasing, more of a desperate attempt to do the right thing before it’s too late.” I think that if Raymond Chandler and John D. MacDonald had co-written a book it might have been rather like BLACK NIGHT FALLING. Darkly gritty, authentically compelling, this is a flawless treat of a thriller.

You’ll be able to read my review of BLACK NIGHT FALLING when in comes out in August. In the meantime, click here to pre-order it from Amazon. And be sure to follow Rod on Twitter @Rod_WR

 

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If you love seeing beneath the cash and the glitter thrillers … then EXPOSURE by AVA MARSH will keep your eyes wide open as you lounge by the rooftop pool.

At the start of the book, porn star Kitty Sweet is in prison for double murder, but she’s never told the secret of what really happened. When a long lost friend visits, bringing some upsetting news, Kitty’s offered some sessions with a therapist. She figures why not, she’ll turn up and play along. It’s hard to squeeze EXPOSURE into a single sub-genre – it’s a thriller for sure; a tale of deceit, and exploitation, and murder. It’s also a tale of friendship, of love and of heartbreak with a real emotional core. And the twist at the end, well, let’s just say it’s not many books that can make me cry – and this one did!

Read my review of EXPOSURE here. Click here to buy it from Amazon. And be sure to follow Ava on Twitter @MsAvaMarsh

 

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If you love high adrenaline action thrillers … then you’ll want to take THE TIME TO KILL by MASON CROSS with you when you jet-ski back to your yacht.

This is the third book in the Carter Blake series, and it’s one hell of a read! The story starts with Blake accepting a new job – finding an employee of an internet tech company who’s gone AWOL with a piece of ground-breaking software. But as he starts tracking his target, Blake isn’t aware that he himself is firmly in the sights of his old employers – Winterlong – and that they’ll stop at nothing to neutralize the threat they now believe him to be. THE TIME TO KILL is an adrenaline rush from the first page to the last. Packed with stunning set-piece action sequences, and an emotional punch as you discover more of the rather mysterious Blake’s backstory, this cinematic action thriller is like reading Reacher crossed with Bourne plus added fabulousness.

Read my review of THE TIME TO KILL here. Click here to buy it from Amazon. And be sure to follow Mason on Twitter @MasonCrossBooks

 

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If you love your police procedurals packed with ghostly wonder … you’re going to need JONATHAN DARK OR THE EVDIENCE OF GHOSTS by AK BENEDICT to accompany you on that London city getaway you’re planning (maybe you’ll even be tempted to try some mud larking).

Every once in a while you read a book that enthralls you, wrapping you up tight inside its world and holding you spellbound throughout the entirety of the story. For me, this is that book. “Maria King knows a secret London. Born blind, she knows the city by sound and touch and smell. But surgery has restored her sight – only for her to find she doesn’t want it. Jonathan Dark sees the shadowy side of the city. A DI with the Metropolitan Police, he is haunted by his failure to save a woman from the hands of a stalker. Now it seems the killer has set his sights on Maria, and is leaving her messages in the most gruesome of ways. Tracing the source of these messages leads Maria and Jonathan to a London they never know. To find the truth they’ll have to listen to the whispers on the streets.” Quirkily original, with deeply drawn unique characters and a brutally magical London setting, this story has you traversing all the emotions from darkness to delight with a gut wrenching honesty – rather as if you’ve been kissed and sucker punched all at the same time, but in a good way.

Read my review of JONATHAN DARK OR THE EVIDENCE OF GHOSTS here. Click here to buy it from Amazon. And be sure to follow Alexandra on Twitter @ak_benedict

 

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If you love twisty-turny legal thrillers … take THE PLEA by STEVE CAVANAGH on your New York city break – you could even visit some of the locations in the book while you’re there.

The second book in the Eddie Flynn series, THE PLEA, sees con-man-turned-criminal-defence-lawyer Eddie Flynn facing another terrifying situation: persuade social media genius David Child to become his client and get him to plead guilty to the murder of his girlfriend, or the FBI will make sure Eddie’s wife goes to prison for involvement in an illegal scheme operated by her law firm that she had no direct knowledge of. But Eddie suspects that David Child is innocent, and he won’t send an innocent man to jail. Eddie sets out to prove David’s innocence, and to protect his own family. Problem is, there is more than one bunch of bad guys after David, and some are closer to home than even Eddie might think. With an urgent, time pressured feel from the get-go, electric courtroom scenes, stunning action sequences and the witty and unique character of Eddie Flynn, THE PLEA a tremendous read.

Read my review of THE PLEA here. Click here to buy it from Amazon. And be sure to follow Steve on Twitter @SSCav

 

Willow Walk cover - medium

If you love heart-racing creepiness in your thrillers … WILLOW WALK by SJI HOLLIDAY is the book to pack for that walking holiday in the Scottish Highlands.

This is the second book in the Banktoun trilogy. Set in a small town community in Scotland where everyone knows each other’s business and secrets are deeply held, Sergeant David Gray is investigating a series of deaths linked to legal highs, while also trying to work out what is going wrong in his relationship with girlfriend, Marie.

This twisty, turning police procedural has a strong psychological twist, and tackles some controversial issues. It’s a gritty tale of obsession, revenge and escape. Chillingly nuanced, and pulse-poundingly suspenseful, it’s totally unputdownable.

Read my review of WILLOW WALK here. Click here to buy it from Amazon. And be sure to follow Susi on Twitter @SJIHolliday

 

So don’t forget to pack your books in your suitcase (or pack them virtually onto your Kindle) and have a fab summer hols!