#crimewritersincafesprocrastinating – Roz Watkins talks about her writing habits, horses and champagne! @RozWatkins

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Today debut crime writer Roz Watkins is joining me for Crime Writers In Cafes Procrastinating. As the title suggests, this feature is all about the lengths writers go to procrastinate when they should be writing, and how they (eventually) manage to win against the temptation of the path of procrastination to finish their books.

Roz’s debut novel – THE DEVIL’S DICE – is a brilliant read so I can’t wait to quiz her all about her writing and procrastination habits…

Welcome Roz! So tell me all about your latest book – THE DEVIL’S DICE

Thanks for inviting me to do this fabulous feature! ‘The Devil’s Dice’, my debut, was published in March this year. In it, a slightly chubby, not-very-glamorous detective (who probably has cat hair on her top) returns to Derbyshire and is confronted with a bizarre death which appears to have been caused by an ancient witches’ curse.

How long did THE DEVIL’S DICE take to write?

It took me about eighteen months to write. I had absolutely no idea what I was doing when I started, but with incredible naivety I bought ‘Writing Fiction for Dummies’ and got stuck in. For my second and third books (not published yet), I’ve had deadlines, and they’ve taken me around a year each, not including the editing with my publisher.

What’s your favourite writing/procrastination spot – home, café, bar, other?

I don’t need to leave the house to procrastinate. Funnily enough, when I was writing the first book, I was also running holiday cottages, so sneaking in some writing at the kitchen table was my procrastination activity when I should have been cleaning loos. Now I’m supposed to be writing, I find soooo many ways to procrastinate (but cleaning loos is not one of them).

What’s your writing process – do you jump straight in, or plan and plot first?

I’m not sure I’ve developed a writing process yet! For the first book, I tried all sorts, reading books on plotting and screenwriting and everything else I could get my hands on. I do now try to plot, but find I end up changing everything as I go along. I scribble copious notes in lovely notebooks with coloured glitter pens and I stick post-its on the walls – can we call that plotting?

When you’re writing, do you find you procrastinate more at the beginning, middle or end of the draft, or equally across all three?

I procrastinate more at the beginning. I find first drafts really hard and get a bit obsessed with word count, which I’ve realised is stupid because it’s the thinking that’s the hard bit. Getting words down isn’t hard if you know what you want to say! I like the creative side of it but it’s hard because you don’t really know where it all comes from, so with the best will in the world (and determined non-procrastination) you can still have a terrible day where you get nothing decent done.

Do you prefer first drafts or edits (and why)?

I actually prefer edits – they still feel creative, but I seem to relax once I’ve got a decent number of words down (even if they aren’t in the right order).

When you’re procrastinating, what’s the activity you turn to most?

Walking the dog is a top procrastination activity, because he stares at me until I do it and it’s pretty challenging trying to work with this going on. Social media is up there too. I’ve installed a thing that blocks me from spending more than half an hour on it between 10am and 5pm, otherwise every time the writing gets hard, I feel my brain saying, ‘maybe we could just check Twitter…’ I found it particularly hard around publication time because if somebody says something nice about the book, I just find it almost impossible not to go straight on there and thank them!

I’ve realised I can procrastinate whilst telling myself that I’m actually working, by picking horse manure out of our field. It always needs doing and it puts me into a kind-of Zen state where ideas come to me. If any aspiring writers would like the opportunity to try this, do get in touch 🙂

I also love a bit of research, and tend to get sucked in. Looking at my ‘favourites’ I can see these webpages, which are all relevant to my books (honestly!):

  • I’m a psychopath Ask Me Anything
  • Farmer EATEN ALIVE by his own pigs in shocking attack
  • Body integrity identity disorder – the man who wants to chop his own legs off
  • Can An Organ Transplant Change A Recipient’s Personality?

Another current fave is googling ‘writing sheds’ and fantasising about having one in my garden.

Then there’s my ancient cat, Toffee, who came with the house. She demands (at extremely high volume) ‘Toffee Time’ every morning. She’s long-haired so I have to sit with her and brush her and make sure she doesn’t get too matted. She lives in our barn so I can’t combine Toffee Time with writing or anything else useful, and anyway she insists on my undivided attention.

The animals are an endless source of procrastination, and no that isn’t a severed leg – it’s a boot. The horses know how to procrastinate! As I near a deadline, or when I’m working on edits, panic tends to set in. I procrastinate less and also clean the house less.

When you’re writing what’s your drink and snack of choice?

I glug copious amounts of tea and coffee and try to avoid snacks when writing. If I started snacking, I’d never stop, and Writers’ Arse is already a worry. At least the drinks force me to get out of my chair and go to the loo every now and then. I also try to stay off the gin and the wine while I’m writing 🙂

And how do you celebrate the completion of the book (you winning against procrastination)?

I’m another one who thinks a finished book deserves champagne. When I finished book 2, I thought I saw a cheap bottle of nice champagne whilst doing an online supermarket shop, so I ordered it. When it turned up, I realised it was cheap because it was 25cl – not even a decent-sized glass. That was a very bad moment.

The picture at the top of this post is me at my book launch necking the booze while my agent does the hard work!

Books, animals and champagne – sounds perfect to me! 

A huge thank you to Roz for letting me grill her about her writing habits and procrastination pitfalls.

THE DEVIL’S DICE is out now. Find out more over on Amazon by clicking on the book cover below:

#crimewritersincafesprocrastinating – Barbara Copperthwaite talks writing scenes out of order and the procrastination temptations of dogs @BCopperthwait

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Today crime writer Barbara Copperthwaite is joining me for Crime Writers In Cafes Procrastinating. As the title suggests, this feature is all about the lengths writers go to procrastinate when they should be writing, and how they (eventually) manage to win against the temptation of the path of procrastination to finish their books.

Barbara’s latest book is THE PERFECT FRIEND and I can’t wait to find out more…

Welcome Barbara! So tell me all about your latest book – The Perfect Friend?

It’s a dark psychological thriller, set in the seaside town of Tynemouth. The story explores the relationship between two women as it twists into suspicion, lies and obsession.

How long did The Perfect Friend take to write?

I started it in October, while on holiday in Tynemouth – which is why it is set in that seaside town, as I found it so inspirational. I handed in my first draft to my editor at the end of March, so that’s five months. Obviously since then it’s been through several rounds of edits!

What’s your favourite writing/procrastination spot – home, café, bar, other?

There’s a café near me that I haunt in winter. But most often I write at home, especially since I took over the dining room and made it my office, although it looks more like the dogs’ playroom, as there are usually tennis balls and toys everywhere for them. When I’m procrastinating, my dogs are a great distraction.

What’s your writing process – do you jump straight in, or plan and plot first?

I wish I were a plotter as I think it would make the writing process a lot less stressful. But the fact is that I’ve tried to do that and it just didn’t work for me. Everything that I’d plotted out so meticulously simply didn’t work when I got into the details of things  as I wrote. So, for me, jumping in is the only way.

I tend to have an idea that I want to explore, themes in my mind, and the types of characters that I want to inhabit the world that I’ll create; after that it’s a question of having fun discovering for myself how the story will work out. Wondering how I’ll get to the endpoint is what keeps me interested, because I’ve also found that I get bored when I plot. It’s normally around halfway through the book that I decide what exactly the ending will be; the only time I’ve known from the beginning how I wanted to end a story was when I was writing The Darkest Lies.

Here’s a confession… I’ve a terrible habit of writing random scenes when I first get going. Often, I have no clue where they will slot into the story, or even if they will make the final cut, but they help me get a feel for where I’m heading and what I’m trying to say. Once I’ve hit around 8000 words, I’ll actually write the beginning of the book and work forward making links to the random scenes.

When you’re writing, do you find you procrastinate more at the beginning, middle or end of the draft, or equally across all three?

Each book has been a completely different experience, so it’s impossible to say. My first book, Invisible, was written in snatches while I was commuting, which certainly concentrated the mind – there was no time for procrastination.

My third book, The Darkest Lies, was the hardest to write, and emotionally draining, too. I got about halfway through and couldn’t see a way forward. I was convinced that it was awful. In the end an author friend read through what I’d already written and it took her telling me that it was absolutely fine to make me continue writing. If she hadn’t done that for me I honestly think I’d have abandoned it. Yet that’s the one that landed me an agent and publishing deal.

I’m currently working on my sixth book and I realise now there is no ‘usual process’ for me. I do tend to find, however, that a lot of time at the start of a book is spent thinking rather than doing. Staring into space and letting your mind wander is a key part of the creative process, I think – no excuse, I genuinely do!

At some point what I refer to as the ‘tipping point’ arrives, the point where everything just speeds up and I become obsessed with my book. Nothing else exists by this stage. I’m probably a nightmare to live with, as I really am in now world of my own. That tends to come at around half way through the first draft may be slightly earlier with some books. Then it’s a case of rushing to the end.

Do you prefer first drafts or edits (and why)?

Creating a first draft is incredibly exciting – and utterly nerve wracking. Every time I sit down to start a new book I wonder if I can actually do it again, and desperately try remember how I’ve done it all the other times (weirdly, I never can remember how!). I love the writing process, I love the opportunity to create, but it’s also the point where self-doubt eats at me.

For that reason I probably enjoy editing more, because by then I have something solid to work with, and know I can hone it into something. Before becoming a full-time author I was a journalist, and edited magazines. That means that working on copy from other people comes as second nature to me because I’ve done it my entire adult working life – and it comes in handy.

When you’re procrastinating, what’s the activity you turn to most?

Walking, without a doubt. It’s almost as if my mind works on a treadmill, because I find that if I am walking then my brain seems to work a lot better and answers suddenly appear to the problems that I’m pondering. My two lovely dogs, Scamp, a cockapoo, and Buddy, an all-sort rescue, are my constant companions whether I’m walking or typing, so if I’m not in the mood for a walk I might just stop and play with them to take my mind off things.

When you’re writing what’s your drink and snack of choice?

I’m a devil for a slice of cake or hot chocolate. I often joke that my books should be sponsored by Lindt…

And how do you celebrate the completion of the book (you winning against procrastination)?

The first time I finished a book I was so excited by my achievement that I went out and bought a bottle of champagne and drank it while staring at ‘The End’ with the biggest grin on my face. Now it’s become almost a superstition. If I don’t toast writing the end of my book with a glass of champagne (or two) then I almost feel as though I’m inviting bad luck by not celebrating. So that’s become my ritual now, even though it does sound incredibly extravagant. It sounds a lot less glamorous when I add that I buy whatever champagne is on special offer at the supermarket!

Huge thanks to Barbara for letting me quiz her about her writing and procrastination habits. Her latest book THE PERFECT FRIEND is out now – click on the book cover below to find out more on Amazon:

Barbara is the Amazon and USA Today bestselling author of psychological thrillers INVISIBLE, FLOWERS FOR THE DEAD, THE DARKEST LIES, and HER LAST SECRET. Her latest book is THE PERFECT FRIEND. More importantly, she loves cakes, wildlife photography and, last but definitely not least, her two dogs, Scamp and Buddy (who force her to throw tennis balls for them for hours). Having spent over twenty years as a national newspaper and magazine journalist, Barbara has interviewed the real victims of crime – and also those who have carried those crimes out. She is fascinated by creating realistic, complex characters, and taking them apart before the readers’ eyes in order to discover just how much it takes to push a person over a line. When not writing feverishly, she is often found hiding behind a camera, taking wildlife photographs.

To find out more about Barbara’s novels hop over to her website at www.barbaracopperthwaite.com and follow her on social media at http://www.facebook.com/AuthorBarbaraCopperthwaite and @BCopperthwait on Twitter

#crimewritersincafesprocrastinating – Zoe Sharp talks procrastination, writing on the move and the perils of cats @authorzoesharp

 

Today kick-ass thriller writer Zoe Sharp is joining me for Crime Writers In Cafes Procrastinating. As the title suggests, this feature is all about the lengths writers go to procrastinate when they should be writing, and how they (eventually) manage to win against the temptation of the path of procrastination to finish their books.

I’m a huge fan of Zoe’s books, and super excited to grill her about procrastination, her writing habits and her latest book DANCING ON THE GRAVE.

Welcome Zoe! So tell me all about your latest book – Dancing On The Grave?

Zoë Sharp: Basically, it’s my take on the Washington Sniper incident from a few years ago, but set in the English Lake District. If you want the slightly longer explanation, it’s an exploration of what it means in today’s culture to desperately want to be famous, regardless of what you want to be famous for. It’s about the way we treat our ex-military personnel when we’re finished with them. It’s about loyalty, betrayal, love and revenge. Just the everyday story of country folk.

How long did Dancing On The Grave take to write?

ZS: Far too long. I actually finished the first version of this book eight years ago. It was just about to go out on submission when Derrick Bird went on the rampage in the west of Cumbria, shooting twelve people dead and injuring a further eleven before taking his own life. It wasn’t close to the storyline of my book, but at the same time it was too near the mark. The book was withdrawn from submission and I put it away for a long time. It was only recently I felt able to get it out and work on it again.

What’s your favourite writing/procrastination spot – home, café, bar, other?

ZS: Home, probably, although ‘home’ is something of a moveable feast at the moment. As I write this, I’m actually sitting in the kitchen of a house in the Aveyron valley in southern France, where I’m house and cat-sitting for the whole of the month. That’s always been the beauty of this job—the fact you can do it anywhere.

Of course, the flip-side of that is that you can also fail to do it anywhere. I like to make pencil notes when I’m out and about, in cafés, usually, or waiting rooms, or wherever, and then type up my notes and expand on them when I get back to my desk. It doesn’t feel right to make notes at my desk. Here, I go and sit at the bottom of the garden, then it’s back to the kitchen table, or the one under an awning outside, to attempt to transcribe my scrawl onto my laptop.

If I’m in the UK, there are always other jobs that call to me. I’m in the midst of a house renovation project, so there are a million other things to do that are particularly difficult to ignore when the weather’s good and you don’t know how long that state of affairs might continue. This is why there are fewer distractions in the winter. Except for the cats, of course. They love to sit on paper (particularly with muddy feet) or my lap. Or my keyboard. Or my hands. Maybe they’re the feline equivalent of literary critics?

What’s your writing process – do you jump straight in, or plan and plot first?

ZS: First thing I do is write the tagline, which has to grab you in a dozen words or less. Then I write the jacket copy, which has to grab you in half a page or less. And then I outline, in broad brushstrokes only, so I have the basic story arc in place, with the main dramatic events timelined. I keep going back to this outline and embellishing it as I go, adding threads that can be tied up later. What I don’t plan are the reactions of the characters to those dramatic events—I want those to develop in a more organic way as I get to them. And I don’t do complicated character biographies before I start. The characters only introduce themselves to me as the step onto the page for the first time. I do jot down a summary of each chapter as I write, just to keep the timeline straight in my head. I note down the gist of the action and dialogue, so I can plan structural edits, if I need to later, without having to plough through the complete typescript.

When you’re writing, do you find you procrastinate more at the beginning, middle or end of the draft, or equally across all three?

ZS: Getting started in the right place can be really tricky, no doubt about it. Sometimes you instinctively know what the opening line for a book is going to be, and you run with it. Other times, you just can’t quite find the right point. And I know all the advice says ‘you can fix a page but you can’t fix a blank page’ but without the right start point, I can’t shake the feeling that everything else I do from there on out is based on dodgy foundations. I like to hit the ground running, and if I don’t feel I’ve done that, I can’t move forwards with the rest of the story. The start of the book, after all, is never the start of the story. It might have started days or months or even years before the point at which you introduce it to the reader.

As for the actual writing part, the third quarter is the pits, definitely. I know that doesn’t fit into the standard three-act structure, but trust me on this. You’ve got the start of your story nailed, you’ve hit the top of the arc, and when you reach three-quarters distance you have to start to tie all those loose threads together into a cohesive whole for the climax. Do it too fast at the ending falls flat. Do it too slowly and you may finish up with thirty pages of stodgy “But how did you know it was the man with the wooden leg?” kind of exposition in the final chapters. Yeah, that third quarter is the bit I sweat over, every time.

Q6: Do you prefer first drafts or edits (and why)?

ZS: Until recently, I would have said that I enjoyed having written more than I enjoyed the actual process of writing, but now I’m not so sure. I’ve had a great boost to my feeling of creativity this year, and the reception I’ve had to the new standalone, Dancing On The Grave, has been wonderful. I really feel I’ve regained my enthusiasm for actually creating story—the putting together of words and scenes into something that didn’t exist until the second you laid them across the page. I remember when I was writing my first novel, and working full-time, that I would get up ever-earlier in the mornings, such was my urge to write. It’s a compulsion rather than an occupation.

I confess, with a certain amount of masochism, that I quite likebeing edited, providing I feel the editor is on the same wavelength with both my style of writing and the story. Anyone who’s prepared to put time and effort into helping me produce the best piece of work possible is fine by me. But it can be a nightmare. Worst editing experience I ever had was with a US copy editor who came from an academic non-fiction background, and wrote me a report saying I displayed a ‘good deal of comma fault’, and she had issues with my ‘verbs of utterance’. I half expected it to have ‘see me’ or ‘could do better’ at the end of it. I wrote ‘stet’ 1251 times on that typescript. I know, I counted every single one of them…

When you’re procrastinating, what’s the activity you turn to most?

ZS: Well, if I’m into a renovation project, I can find it hard to concentrate on writing because I’d rather be plastering or constructing something. It can have a good symbiotic relationship, though. If the practical half of your brain is occupied, it allows the creative half to freewheel and work through plot problems on a subconscious level. So, something practical is always good as both a means of procrastination and for inspiration. As is Scruzzleword, and Sudoku. And bringing my accounts up to date, and bringing logs inside in the winter, and social media, and…and…and…

Q8: When you’re writing what’s your drink and snack of choice?

ZS: Ooh, lots of coffee, usually, although I’ve never found it does much to keep me awake. I always have a large glass of tap water with a shot of tonic water in the top of it on the go, too, which I put on a side table so it’s away from my computer, just in case! The cats have a habit of parachuting onto my desk with little regard for the state of the drop zone.

For snacks, I tend to eat cereal like Cheerios or Special K, straight from the bowl with no spoon, and no milk. Weird, I know. I’m trying to retrain my sweet tooth, but I have a weakness for Jelly Belly jelly beans and Cadbury’s milk chocolate.

And how do you celebrate the completion of the book (you winning against procrastination)?

ZS: By having a day or two off without feeling guilty for not writing anything. A neck, back, and shoulder massage is usually a must by then, too, as everything will have started to knot itself tight as I reach the closing stages of the book. But it’s only ever a temporary reprieve, because then I’ll be into planning the next book, or edits, or some other writing task I’ve been putting off while I was finishing the current work-in-progress. It never ends, really. Good job I love what I do, isn’t it?

Huge thanks to Zoe Sharp for popping by the CTG blog and letting me grill her about procrastination and her writing habits.

Zoe’s latest book DANCING ON THE GRAVE is out now. You can find out more about it over on Amazon by clicking the book cover below:

And find out more about Zoe and all her books (including the fabulous Charlie Fox series) by checking out her website and social media…

Zoë Sharp was born in Nottinghamshire but spent her formative years living aboard a catamaran on the northwest coast of England. She opted out of mainstream education at the age of twelve and wrote her first novel at fifteen. She wrote the first of her highly acclaimed crime thriller series featuring ex-Special Forces trainee turned bodyguard, Charlotte ‘Charlie’ Fox, after receiving death-threats in the course of her work as a photojournalist. When not involved with renovating houses, crewing other people’s yachts, or improvising weapons out of everyday objects, she can often be found international pet-sitting.

Website: https://www.zoesharp.com

Twitter: https://twitter.com/authorzoesharp

Facebook: https://www.facebook.com/ZoeSharpAuthor

#bookcrush – Last Time I Lied by Riley Sager

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My super cool book crush this week is Last Time I Lied by best-selling author Riley Sager.

I was drawn to this cover because it demands to be picked up – the eye-catching black and orange colour combination, the hazy black and white image of a girl running beside water in the woods that continues into the words of the title – it’s so eerily beautiful. I’ve heard great things about this writer and can’t wait to read this!

Here’s the blurb:

“Summer camp. Murder in the woods. Truth and lies. It was Emma’s first ever summer away from home. She learnt how to play games. And she learnt how to lie. Then three of her new friends went into the woods and never returned… Now, years later, Emma has been asked to go back to the newly re-opened Camp Nightgale. She thinks she’s laying old ghosts to rest but really she’s returning to the scene of the crime. Because Emma’s innocence might be the biggest lie of all…”

If you like the sound of Last Time I Lied you can find out more on Amazon HERE.

 

 

CTG’s #bookcrush – Sticks and Stones by Jo Jakeman

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My fabulous book crush this week is Sticks and Stones by debut thriller writer Jo Jakeman

The image of a broken coffee mug, still with a little bit of coffee inside, lying prone on the counter was what drew me to this cover, and the pop of the pink lettering over the muted grey-blue wash of the image adds even more intrigue!

And behind the mysterious cover is a twisty, new take on the pychological thriller.

Here’s the blurb:

“Imogen’s husband is a bad man. His ex-wife and his new mistress might have different perspectives but Imogen thinks she knows the truth. And now he’s given her an ultimatum: get out of the family home in the next fortnight or I’ll fight you for custody of our son. In a moment of madness, Imogen does something unthinkable: she locks her husband in the cellar. Now she’s in control. But how far will she go to protect her son and punish her husband? And what will happen when his ex and his girlfriend get tangled up in her plans?”

If you like the sound of Sticks and Stones you can find out more on Amazon HERE.

 

CTG’s #threewordbookreview – Blood & Sugar by Laura Shepherd-Robinson

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Today’s three word ‘micro’ book review features the stunningly brilliant debut historical crime novel BLOOD & SUGAR by Laura Shepherd-Robinson.

Here’s what the blurb says: “June, 1781. An unidentified body hangs upon a hook at Deptford Dock – horribly tortured and branded with a slaver’s mark. Some days later, Captain Harry Corsham – a war hero embarking upon a promising parliamentary career – is visited by the sister of an old friend. Her brother, passionate abolitionist Tad Archer, had been about to expose a secret that he believed could cause irreparable damage to the British slaving industry. He’d said people were trying to kill him, and now he is missing . . . To discover what happened to Tad, Harry is forced to pick up the threads of his friend’s investigation, delving into the heart of the conspiracy Tad had unearthed. His investigation will threaten his political prospects, his family’s happiness, and force a reckoning with his past, risking the revelation of secrets that have the power to destroy him. And that is only if he can survive the mortal dangers awaiting him in Deptford…”

My verdict: POWERFUL. HEART-WRENCHING. MYSTERY.

This is an incredible debut novel – beautifully written, fast-paced and suspenseful, with one hell of an emotional punch. Quite simply a must-read for any crime fiction fan.

Blood & Sugar will be out in January 2019 from Mantle. To find out more and pre-order the book click the cover below and hop over to Amazon (note: this is the actual cover, mine pictured above is an early proof):

#CrimeWritersInCafesProcrastinating – debut author Margaret Kirk reveals her procrastination habits! @HighlandWriter

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Today debut crime writer Margaret Kirk is joining me for Crime Writers In Cafes Procrastinating. As the title suggests, this feature is all about the lengths writers go to procrastinate when they should be writing, and how they (eventually) manage to win against the temptation of the path of procrastination to finish their books.

Ready for a grilling about her procrastination habits is Margaret Kirk whose debut crime novel – SHADOW MAN – is out now.

Welcome Margaret! Tell me a bit about SHADOW MAN…

Shadow Man, my debut novel, is a police procedural set in Inverness and the Highlands. The winner of the Good Housekeeping First Novel competition in 2016, it introduces Lukas Mahler, a half-Scots, half-German ex-Met DI, and is the first in a planned series.

How long did it take to write?

Well, when I won the competition (June 2016) I really only had about 25,000 decent words written. I then had a bit of a scramble to get it finished and sent off to Orion, which took another six months. Not too bad, considering I was in a state of shock for at least a month after finding out I’d won!

What’s your favourite writing/procrastination spot – home, café, bar, other?

I have a lovely writing shed (dubbed ‘The Murder Room’) in our garden, where I should theoretically be able to shut out the world and get writing. But I’ve also got two demanding cats who wander in and out, and a really comfy day bed in there, so…

What’s your writing process – do you jump straight in, or plan and plot first?

I plan quite carefully. I set up a word document called ‘Chapter Plan’ and do a one or two-sentence synopsis for each chapter, which I then add to/amend as I go. And I always write the synopsis for the book first – it really concentrates the mind and shows me where the book is going. And it alerts me to any potential plot holes I need to look out for.

When you’re writing, do you find you procrastinate more at the beginning, middle or end of the draft, or equally across all three?

Probably in the middle. There’s a lot of momentum that carries me through the first third, then as the plot becomes more complex, I start fretting about whether I’m going in the right direction etc. I gradually feel my way through and start gathering speed again for the finale!

Do you prefer first drafts or edits (and why)?

I think edits, really, because there’s that sense that you’re working with what you have to make something better, and that’s always easier than pulling words out of thin air and sticking them down on a page. The shape of what the book should be starts to feel a little closer at the edits stage.

When you’re procrastinating, what’s the activity you turn to most?

Cat-cuddling. Finding a new must-read series and absolutely bingeing on it, telling myself it’s all in the name of research. Sort of…and afternoon tea is a huge favourite!

When you’re writing what’s your drink and snack of choice?

Coffee and chocolate – basically, I run on caffeine. But in an attempt to combat the onset of writers’ posterior, I try to severely limit the chocolate, and make sure I get at least 30 minutes’ exercise every day. Honest…

And how do you celebrate the completion of the book (you winning against procrastination)?

…is celebrated either with Prosecco or a nice Scottish gin (Shetland Reel or Rock Rose) and Fevertree tonic. Cheers!

Huge thanks to Margaret for letting me quiz her about all things procrastination.

Be sure to check out her debut novel – SHADOW MAN. And keep up to date with all her news via social media at: 

Facebook: Margaret Kirk Author    Twitter:     https://twitter.com/HighlandWriter

Click on the book cover below to view SHADOW MAN on Amazon UK…