CTG’s Friday Sneaky Peep: KILL ME AGAIN by Rachel Abbott

KMA_FINAL (1)

Today I’m delighted to be featuring an extract of best selling crime writer Rachel Abbott’s latest book – KILL ME AGAIN. 

What the blurb says: “KILL ME AGAIN follows solicitor Maggie Taylor, who returns from work to find her husband gone without a trace, leaving her two young children abandoned in their remote home. When a body is found bearing a striking resemblance to Maggie and her son reveals that his father may have known the dead woman, Maggie starts to fear that she may be the killer’s next intended victim and her husband could be involved in something he can no longer control. Quickly embroiled in a 12-year-old cold case, ritualistic style murders, and a fantasy-killing site on the dark web, Maggie finds herself investigating the one person she thought she really knew …”

 

KILL ME AGAIN: An extract

12 years ago – May 7th

Sonia Beecham almost didn’t recognise the eyes staring back at her in the mirror. They were still pale blue, of course, but the pupils were slightly dilated with excitement, and the eyelashes were tinted with grey mascara – an unusual indulgence, but she wanted to look her best because today was special. In fact Sonia thought it was her best day since starting at Manchester University six months previously. She had always found it difficult to make friends, and the eagerness on her parents’ faces when she came home each night was painful to watch as they waited to hear whether she had met new people. She knew it was out of love for her, but they didn’t understand the pressure it put her under.

She was shy. Painfully, embarrassingly shy. If anybody spoke to her, she blushed bright red. It was an instant reaction, and one that made her turn away. Never in her wildest dreams could she imagine starting a conversation with anybody. She would rather stick her head in a vat of boiling oil, if the truth were known.

She had heard her parents talking once, a few years ago. They wanted to know what they had done wrong – why their daughter had grown up the way she had. So now she had that guilt to bear as well. If only she could make some friends so they would know they had done nothing – nothing, that is, except love her and shelter her from anything and everything that would be considered by most people to be a normal experience.

Now, though, things were changing. Her mum had been so concerned that she’d persuaded Sonia’s father to stump up for some counselling. Sonia had been horrified. The idea of sitting in a chair telling a complete stranger how embarrassed she was to open her mouth in company made her legs go weak. She had resisted for months, but after Christmas not only had her mum arranged the counselling sessions, she had insisted on going with Sonia for the first few meetings to be sure that Sonia was over her initial embarrassment and was happy to carry on alone.

Sonia had hated it to start with, but gradually her counsellor had given her some tools to help build her confidence. The best of these was the name of a website designed for people like her. She had heard of chat rooms but never been in one. Within a month she had realised that she had plenty to say as long as she could keep it anonymous and nobody could see her face. The best of it was, people wanted to listen. She didn’t have her own computer to access the site, but there were plenty she could use at the university, and that was better because nobody would know what she was doing. If she had had a personal computer at home her mother would forever have been looking over her shoulder.

What she hadn’t told a soul – because he had asked her not to – was that she had met somebody online who was as crippled with shyness as she was. He had told her he was surprised he could even type without stuttering, and that had made her laugh. That was his issue, the burden he had to bear. He couldn’t get a whole sentence out without this dreadful stammer halting him in his tracks. They had been talking online now for a couple of weeks, and he said that he thought he might possibly be able to speak to her. They had agreed that if she went red, or if he stuttered, it wouldn’t matter. They were both in the same boat. And tonight she was meeting him for the first time.

She had lied to her parents. She had never done that before, but Sonia had known what her mum would say: ‘Bring him home, first, love. Let me and your dad meet him – do it properly.’ Her mother didn’t seem to have any concept of how things were done now. Not that Sonia wanted to behave like some of the girls on campus, but having to be vetted before he could even go for a drink with her was a sure way to frighten a man off – especially one as shy as Sam.

Sam was a good name. Solid-sounding, reassuring. He had said it wasn’t a good idea to meet anywhere too public. Having other people around was sure to make them clam up and not be natural with each other. So she was going to meet him in a little park just off the Bridgewater Canal towpath. He said it would be okay there, because there would be people on the other side of the canal at the cafés and bars, but nobody would be able to hear if they made complete fools of themselves.

Sam had even told her which tram to get and where to get off. She had followed his instructions to the letter. The walk along the canal was fine to start with. It was quite pretty, and she thought it was wonderful the way places like this were being brought back to life. But as she walked further on it all changed. There was a lot of redevelopment of old mills, their blank windows facing onto the canal. There were no cafés and bars. And no people.

Sonia hurried along the towpath, ducking to walk through a long, low tunnel. She was nearly at the meeting place. As she neared the end of the tunnel, a tall figure stepped out onto the path and for a moment Sonia felt a jolt of fear, but he gave her a little wave so she carried on walking. She knew who he was. He was taller than she expected, and as she got closer, she could see him smiling at her.

‘Hi, Sonia,’ he said. ‘I’m Sam.’

He didn’t stutter once.

 

To find out more about Rachel Abbott and her books hop on over to her website here and follow her on Twitter @RachelAbbott

You can buy KILL ME AGAIN from Amazon here

 

Heading to London Book Fair? Check out the Author HQ theatre and seminars

image001

The London Book Fair (LBF) takes place this week and if you’re heading along make sure to check out Author HQ, with Kindle Direct Publishing, LBF’s dedicated area for established and aspiring writers. Launched as a result of the increasing interest from the self-publishing community, there’s a great line up of speakers – publishers, writers and agents – taking part in the seminar programme.

Representatives from Little, Brown; HarperCollins; Headline; The Orion Publishing Group; Quercus; Pan Macmillan; The Creative Penn; The Alliance of Independent Authors; The Agency Group; Canelo Digital Publishing; The Society of Authors and The Literary Consultancy, AM Heath and David Higham Associates, and more, will be sharing their secrets and expertise.

Each day bestselling Kindle Direct Publishing authors will be talking about their experiences.  Mel Sherratt, Stephanie Hudson and Keith Houghton will be joined by Mark Dawson on Tuesday; by CJ Lyons on Wednesday and by Rachel Abbott on Thursday.   Seminar topics include:

  • Introduction to Publishing
  • Know Your Rights – Legal and Contracts
  • Writing and Reading in the Digital Era
  • The Principles of Successful Book and Book Cover Design
  • Genre Spotlights
  • Publishers and Agents – how they discover new talent
  • Crowdfunding
  • How to Sell Your Book
  • How I Made It – Living the Dream (authors sharing their experiences of launching their writing careers)
  • What It Takes to Get Readers to Turn the Page
  • The Craft of Writing
  • The Rise of Author Collectives
  • Successful Social Media Strategies
  • Effective PR & Marketing
  • Journalists – What are they looking for?

Back for another year, The Write Stuff, a Dragon’s Den-style panel event, will see ten authors pitch their books to a panel of literary agents on Thursday afternoon in front of an audience in Author HQ, for the chance to win a follow up meeting with an agent.

The London Book Fair (14-16 April) has moved to its new venue for 2015 – Olympia, West London.  All Author HQ events are free-to-attend with the purchase of a three-day LBF pass and seminar places are allocated on a first come, first served, basis. Hop on over to www.londonbookfair.co.uk for more information on booking, and for further information on the seminar line up, check out www.londonbookfair.co.uk/authors.

CTG Interviews: Rachel Abbott author of SLEEP TIGHT

Author Rachel Abbott

Author Rachel Abbott

Today I’d like to welcome Rachel Abbott, who has dropped in to the CTG blog to answer a few of our questions. So, to business …

Your new book, SLEEP TIGHT, came out last month. Can you tell us a bit about it?

SLEEP TIGHT is a psychological thriller, which poses the question “how far would you go to hold on to the people you love?” It’s a story of obsession, deception and retribution.

The story opens when Olivia Brookes calls the police because her husband took the children out for a pizza, and he hasn’t come home. Has there been an accident? But the police don’t think so.

The problem is, this isn’t the first time that Olivia has had to contact the police. Seven years earlier her boyfriend and father of her first child called to say he was on his way home. But he never arrived.

To say any more about this story would give too much away. It was incredibly difficult to write the blurb for the cover for that very reason. Just let’s say that things are not always as they seem, and some times good people are forced to do bad things.

Could you tell us a little about your writing process, do you dive right in, or plan the story out first?

I am a huge planner. I don’t always stick to the plan, but I have to really understand my characters and what is motivating them before I start. So I have detailed character outlines for each of them usually including a picture that I find on Google images. I know what their favourite drinks are, what colour lipstick they wear (when appropriate, of course), their hobbies, the biggest thing that has ever happened to them, and what their story goal is. It is so easy to write books in which the characters can’t be differentiated, and to avoid that I want to get to know my characters really well.

In addition to having a plot timeline, I also have character timelines. I need to know what year they were born, when they met their partners, when their children were born – things that happen outside of the story, but may be referenced. I can’t tell you how many times I have read a book and thought “that’s not right – the child would have only been two at the time” or something similar.

And then because my books tend to have complex plots, I flowchart the main themes. This is the bit that sometimes goes to pot when I’m writing because the story starts to have a life of its own. But I use a piece of software called Scrivener to write my first draft. With that, I can attach keywords to individual scenes, with each keyword relating to a plot point in the story. I can then search on these keywords and reveal only the scenes that are relevant. That way, I can check each element of the story to make sure there are no loose ends or inconsistencies.

What books and authors have inspired you as a reader and writer?

I think my early inspiration came from Daphne du Maurier. I would say that Rebecca is one of my favourite books of all times – and of course, just like my books, in Rebecca you could say that good people are moved to do bad things. It was the whole sense of suspicion and threat that had me hooked, but a great love story at the same time.

Writers like Val McDermid are responsible for raising my interest in thrillers, and Harlan Coben’s early stand alone books made me think about writing from the perspective of the protagonist instead of always from the point of view of the police. I am now a fan of Sharon Bolton’s books too, which can be really dark. I am a member of a book club now, though, and trying hard to read as many non-thrillers as possible.

Sleep Tight cover image

Sleep Tight cover image

What advice would you give to those aspiring to publication as crime writers?

Make sure you do your research. Even if you decide to stretch the truth, be sure you have your facts right. There was one point in SLEEP TIGHT that I thought was a pretty safe bet – part of the book is set on Alderney, which is classed as the UK (it’s a Crown Dependency) and I assumed that – should it be necessary – a British policeman could arrest a suspect on Alderney. Not true! Fortunately, I happened to mention in passing to one of the two Alderney policemen, and he put me straight. So it really is important to check every detail.

Other than that, I would advise any writer to have their book professionally edited. I always believed that editing meant proof reading, and had no idea what it REALLY meant. There is the structural editing in which you might be told to cut things down, reorganise them, change points of view – and that can be expensive. But as a minimum you need a proper copy-edit – somebody to tell you about inconsistencies as well as typos. My copy edits are more red than black when they come back – but it’s all really good stuff. My copy editor picked up things such as two different people being described as deranged, even though the descriptions were a hundred pages apart. Repetition of words is a huge thing that they can help you to improve on, and I would seriously consider this.

But other than that, make sure your book is as good as it possibly can be, with a great title and then if you can’t find an agent or a publisher, don’t be frightened to self-publish. But if you do, you need to ask yourself a question: why are you publishing your book? The three most obvious answers would be:

I just want to see it in print (or virtual print). If that’s the case, stick it up there, and admire your Amazon page from time to time, and get on with the next book

I want as many people as possible to read my book, but I’m not concerned with making money.If that’s the case, consider using Amazon’s free posting and just make sure you let as many of the free sites know as possible.

I want my book to be a commercial success. If that’s what you want, then not only do you have to be sure your book is the best it can possibly be, but also you need to learn about marketing, and you are going to have to dedicate some time to getting it noticed. And you are probably going to have to pay for a really good cover design.

And lastly, what does the rest of 2014 have in store for you?

I am really looking forward to the rest of this year. I am starting on my new novel, and I am going to be attending a few events in the UK over the course of the year, including the London Book Fair, the Literary Festival and the Crime Festival at Harrogate, so I’m hoping to meet a lot of people that up to now I have only spoken to on Twitter or Facebook.

I’m also hoping to move in to a new place to live, which, if I can reach agreement with the current owners, will be a spectacular home overlooking the sea. I’m also hoping to take a trip up the Irrawaddy River in Burma – but that’s gone on the back burner a bit because of the move and the new book. But there’s certainly plenty to be excited about.

It sounds like it’s going to be a busy year!

A huge thank to you Rachel Abbott for dropping by and answering our questions.

You can find out more about SLEEP TIGHT and Rachel’s other books on her website over at http://www.rachel-abbott.com/ on Facebook at http://www.facebook.com/RachelAbbott1Writer and follow her on Twitter as @Rachel_Abbott